| Early Works
Recognition
- Op. 2. Vom
Bäumlein, das andere Blätter hat gewollt (The Tree that Wanted Different
Leaves) for alto solo, six-part female choir and small orchestra. (1916).
- Op. 16.
String Quartet I String quartet. (1916).
- Op. 3.
Serbische Weisen (Serbian Dances) for piano duet. (1916).
- Op. 3b.
Serbische Weisen (Serbian Dances) for small orchestra/mandolin orchestra.
(1916?).
- Op. 4. Der
Arzt der Sobeide (Sobeide's Doctor) Comic opera in a prologue and two acts.
(1917-1918).
- Op. 33.
Five songs for middle voice and piano (+ harp). (1917-1921).
- Op. 25.
Herbstlieder (Autumn Songs) for female choir a cappella.
(1918-1925).
- Op. 5.
Phantasien (Fantasias) for alto solo, female choir, clarinet, horn, harp
(piano) and string quartet (string orchestra). (1919).
- Op. 6.
Suite for violoncello and piano. (1919).
- Op. 17.
Sonata for violin and piano. (1920).
- Op. 15.
Die Heilige Ente (The Sacred Duck) (Opera) A play with gods and men. In a
prelude and three acts. (1920-1921).
- Op. 14.
Kinderverse (Children's verses) for female choir a cappella.
(1921?).
- Op. 24.
Suite for piano solo. (1922).
- Op. 26.
Requiem for Mignon for baritone, 2 choirs, organ and orchestra. (1922).
- Op. 18.
Trio for violin, cello and piano. (1923).
- Op. 20.
Ouvertüre zu einem Puppenspiel (Overture to a puppet play) for orchestra.
(1923).
- Op. 21.
Two religious songs for soprano, organ and gamba/cello. (1923).
- Op. 19.
Motette (Motet) for mixed choir a cappella. (1924).
- Op. 22.
Divertimento for wind octet (also for orchestra = Op. 22a). (1924).
- Op. 23.
Das Lied der Nacht (The Song of the Night) (Opera) Dramatic ballad in
three scenes. (1924-5).
- Op. __.
Altwiener Tänze (Old Viennese Dances) arr. for piano solo. (1925).
- Op. __.
Promenadenmusik for concert band. (1926).
- Op. __. Quartet
for violin, viola, cello and piano left hand for Paul
Wittgenstein (1926)
- Op. 27.
Epigrams for mixed choir. (1926).
- Op. 28.
Sonata for piano solo. (1927).
- Op. 30.
Symphony No. 1 for orchestra. (1927).
- Op. __.
Loreley for mixed choir. (1928).
- Op. __.
Vom heiligen Ehstand (On the holy marriage state) for soprano and baritone
solo with piano. (1928).
- Op. 29.
Toccata for organ. (1928).
- Op. 31.
Three songs for 3 female voices/female choir. (1928).
- Op. 32.
Five Serious Songs for male-voice choir a cappella. (1928).
Mainz
Nazi take over
- Op. 44.
Nachtmusik (Night Music) for soprano solo, male-voice choir, flute, cello
and piano. (1933).
- Op. 64.
Three Small Pieces for piano solo. (1933).
- Op. __.
Lyrical Suite to Browning's 'Pippa passes', for soprano, flute and string
quartet (flute, mandolin and string trio). (1934).
- Op. __.
Three vocal quartets for mixed voices and piano. (1934).
- Op. __.
Gluck: Symphony in G minor arr. for 2 horns and string orchestra by Hans
Gál. (1934).
- Op. __. Sonatina for violin and piano in F major (1934)
- Op. 40.
Three Idylls to poems by Wilhelm Busch for 4-part male-voice choir with
piano. (1934).
- Op. 43.
Concertino for piano and string orchestra. (1934).
- Op. 60.
Improvisation, Variations and Finale on a Theme by Mozart for mandolin,
violin, viola and liuto (also mandolin orchestra). Also for string quartet =
Op. 60b. (1934).
- Op. 93.
Serenade for clarinet, violin and cello. (1935).
- Op. 47.
Summer Idylls (Stille Lieder) Four songs for female choir a cappella.
(1935).
- Op. 56a.
Partita for mandolin and piano. (1935).
- Op. __.
Two Anthems (1) for mixed voices and organ ad lib; (2) for soprano,
mixed voices and organ. (1936-1937).
- Op. 50.
De Profundis Cantata to German barock poems, for four soloists, mixed
choir and orchestra. (1936-1937).
- Op. 10a.
Four chamber pieces for mandolin, violin, viola and liuto (also for
mandolin orchestra, op. 10b). (1937).
- Op. 46.
Serenade for string orchestra (also for mandolin orchestra). (1937).
Exil
The Gáls arrived in London in March, 1938
Internment
Gál was arrested on Whit Sunday, in May, 1940 and released in September 1940
- Op. 92.
Huyton Suite for flute and 2 violins. (1940).
(Alla marcia, Capriccio, Canzonetta con variationi, Fanfaronata)
- Op. __.
Impromptu for viola and piano. (1940).
- Op. __.
Three Impromptus for two pianos. (1940).
- Op. __.
What a
Life for middle voice(s), flute, clarinet, string quartet and piano.
(1940).
Music to the bilingual internment camp revue, Douglas, Isle of Man.
- Einzugsmarsch (Entrance March)
- Barbed Wire Song
- Frauen Song (Women's Song)
- Die Ballade vom deutschen Refugee (The Ballad of the German Refugee)
- Entr'Acte
- Die Ballade vom armen Jakob (The Ballad of poor Jakob)
- Keep Fit
- Quodlibet
- Besen Song (Broom Song)
- Der Song vom Doppelbett (The Song of the Double Bed)
- Serenade
- Finale
Piano suite.(Prelude, Intermezzo, Ballad, Jolly March)
Edinburgh
- Op. 96.
Sonata for 2 violins and piano. (1941).
- Op. 101.
Sonata for viola and piano. (1942).
- Op. __.
Three Lyric Poems for mixed voices and piano. (1942).
- Op. 56.
Suite for violin and piano. (1942).
- Op. 53.
Symphony No. 2 for orchestra. (1942-1943).
- Op. 65.
Three Preludes for piano solo. (1944).
- Op. 67.
Concerto for violoncello and orchestra. (1944).
- Op. 48.
Lilliburlero Improvisations on a martial melody, for orchestra. (1945?).
- Op. 49a.
Little Suite for two violins and violoncello (piano ad lib.). (1947-1948).
- Op. 55.
Concertino for organ and string orchestra. (1948).
- Op. 57.
Concerto for piano and orchestra. (1948).
- Op. 102a/b.
Suite
for viola/alto saxophone and orchestra (piano). (1949).
- Op. 54.
Caledonian Suite Scottish tunes for small orchestra. (1949).
1950s
- Op. 97.
Trio for violin, clarinet and piano. (1950).
- Op. 77.
Of a Summer Day Lyrical suite for 3-part female choir with (mezzo)soprano
solo and string orchestra. (1951).
- Op. 58.
Two Sonatinas for piano solo. (1951, 1949).
- Op. 62.
Symphony No. 3 for orchestra. (1951-1952).
- Op. 59a.
Sonatina for 2 mandolins. (1952).
- Op. 59b.
Suite for 3 mandolins. (1952).
- Op. 89.
Sonata for cello and piano. (1953).
- Op. 61.
Four part-songs for mixed choir a cappella. (1953?).
- Op. __.
A
Pastoral Tune for piano (6 hands). (1954).
- Op. __.
Handel:
Suite of Airs and Dances arr. for strings (various) and piano ad lib..
(1954).
- Op. 63.
Two songs for male-voice choir a cappella. (1954).
- Op. 66.
Biedermeier Dances for mandolin orchestra (or mandolin, violin, mandola,
guitar, mandoloncello and bass mandolin = Op. 66b). (1954).
- Op. 68a.
Suite for recorder and violin. (1954-1955).
- Op. 69.
Mäander (Meanders) suite for orchestra. (1954-1955).
- Op. 70.
Lebenskreise (Life Cycles) Symphonic cantata to poems by Hölderlin and
Goethe, for 4 soloists, mixed choir and orchestra. (1955).
- Op. __.
Prelude and Fugue for organ. (1956).
- Op. __. Phantasie, Ariso and Capriccio for organ. (1956).
- Op. 71.
Three Sonatinas for violin and piano. (1956-1957).
- Op. 73.
Music for String Orchestra for string orchestra. (1957).
- Op. 80.
Divertimento for mandolin and harp or piano (flute, viola and harp).
(1957).
- Op. __.
Intrata Giocosa for 3 recorders, 2 violins and cello. (1958).
- Op. 74.
Three Marionettes for piano duet. (1958).
- Op. 90 (1).
Divertimento for bassoon and cello. (1958).
- Op. 79.
Idyllikon Four movements for small orchestra. (1958-1959).
- Op. 75.
Jugendlieder (Songs of Youth) Five songs for female voices a cappella.
(1959).
- Op. 76. A
Clarion Call for double female choir a cappella. (1959).
1960s
1970s
- Op. 98.
Divertimento for 3 recorders. (1970).
- Op. 99.
String Quartet IV String quartet. (1970).
- Op. 100.
Triptych Three movements for orchestra. (1970).
- Op. 104.
Trio for violin, viola d'amore (viola) and cello. (1971).
- Op. __.
Capriccio for mandolin orchestra. (1973).
- Op. 103.
Three Intermezzi for treble recorder (flute) and harpsichord (piano).
(1974).
- Op. 105.
Symphony No. 4 Sinfonia concertante for flute, clarinet, violin, cello and
orchestra. (1974).
- Op. 106.
Quintet String quintet. (1977).
- Op. 107.
Quintet for clarinet and string quartet. (1977).
1980s
Without Date
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