STEFAN WOLPE
Catalogue des Compositions
Stefan Wolpe Society
|
|
|
|
1920 |
Zehn Frühe Lieder, songs (10) for voice & piano,
C. 1 |
1920 |
1. Hymnus aus "Der brennende Dornbusch," song for
voice & piano (Frühe Lieder No. 1), C. 1/1 |
1920 |
Zwei Lieder von Mechthild von Magdeburg, songs (2)
for voice & piano (Frühe Lieder Nos. 2 & 3), C. 1/2-3 |
|
2. Wie der Liebeswunde gesunde, song for voice &
piano (Frühe Lieder No. 2; Mechthild Lieder No. 1), C. 1/2 |
|
3. Lied der Minne, song for voice & piano (Frühe
Lieder No. 3, Mechthild Lieder No. 2), C. 1/3 |
1920 |
4. Vögelein Schwermut, song for voice & piano (Frühe
Lieder No. 4), C. 1/4 Text: Christian Morgenstern. 13 June 1920 |
1920 |
5. Der Abend ist mein Buch, song for voice & piano (Frühe
Lieder No. 5), C. 1/5 Text: Rainer Maria Rilke. Weimar, 17 June
1920.
Ded: "Meinem Freunde Morgenstern mit viel Liebe gewidmet." |
1920 |
6. Lied aus "Des Knaben Wunderhorn:" Rothe Äuglein,
song for voice & piano (Frühe Lieder No. 6), C. 1/6 Weimar, 21
June 1920 |
1920 |
7. Gebetspruch des von der Sternegasse, song for
voice & piano (Frühe Lieder No. 7), C. 1/7 16 Aug 1920 |
1920 |
8. Schlummerlied, song for voice & piano (Frühe
Lieder No. 8), C. 1/8 Text: Catherine Godwin. Summer 1920 |
1920 |
9. Kleiner Erfolg, song for voice & piano (Frühe
Lieder No. 9), C. 1/9 Text: Stefan Wolpe. Summer 1920 |
1920 |
10. Idylle, song for voice & piano (Frühe Lieder No.
10), C. 1/10 Text: Stefan Wolpe. Summer 1920 |
|
|
1920 |
Vier Adagien (5), for piano, C. 2 "Frau
[Else] Schlomann gewidmet." |
|
1. Nicht zu langsam. April 1920. C. 2/1
2.
Leichte Achtel. C. 2/2
3.
Langsam, etwas starr. 6 Sept 1920. C. 2/3a
4.
Gesang, weil ich etwas Teures verlassen muss, C. 2/3b. Ded: "Für Friedl
[Dicker]."
5;
Nicht zu langsam. Dec 1920. C. 2/4 |
|
1920 |
Adagio No. 5: Un poco maestoso, for piano, C. 3
27 Sept 1920. Pno. Ded: "Für den verklärtesten aller Menschen, für
Friedl [Dicker]." |
|
|
1923 |
Drei Klavierstücke (3), for piano, C. 4, Op. 5b
April 1923. Ded: "Erwin Ratz aus Anlass frohen Beisammens gewidmet."
1.
22 April 1923, C. 4/1
2.
13 April 1923, C. 4/2
3.
Weimar, Variation, for piano, C. 4/3, 70/2, Op. 5b/3 15
April 1923 |
1939 |
Psalm 64 and Isaiah Chapter 35 (2), sacred songs
for voice & piano, C. 4, Op. 5b |
|
|
1923 |
Schattenspiel-Musik, for 3 voices a capella, C. 5,
Op. 8 |
|
1927 |
Fünf Lieder von Friedrich Hölderlin (5), song
cycle for mezzo voice & piano, C. 6, Op. 1 ; revised in 1935 and
numbered as Op. 1. |
1924 |
1. Hälfte des Lebens, song for voice & piano (Lieder
nach Hölderlin No. 1), C. 6/1 |
1927 |
2. An Diotima, for voice & piano (5 Lieder nach
Hölderlin No. 2), C. 6/2 |
1924 |
3. Diotima, for voice & piano (5 Lieder nach
Hölderlin No. 3), C. 6/3 |
1924 |
4. Die Spaziergang, for voice & piano (5 Lieder nach
Hölderlin No. 4), C. 6/4 |
1924 |
5. Zufriedenheit, for voice & piano (5 Lieder nach
Hölderlin No. 5), C. 6/5 |
|
1924 |
Duo, for 2 violas (incomplete), C. 7, Op. 2
Dec 1924. Ded: "Für Victor Schlichter."
1. Allegro molto.
2. Presto (Besessen).
3. Romanze. [inc.] |
|
|
1925 |
Bearbeitungen Ostjüdischer Volkslieder (6), cycle
of folksong arrangements for voice & piano, C. 8, Op. 14
[Arrangements of 6 Yiddish Folksongs] April 1925. (No. 6 is dated
Oct 1923) Ded: "Das gehört Raja Ermollnikoff." |
|
1. Wiegenlied: Inter dem Kinds Wiegele, folksong
arrangement for voice & piano (Bearbeitungen No. 1), C. 8/1, Op. 14/1
|
|
2. Be man Mames Hasele, folksong arrangement for
voice & piano (Bearbeitungen No. 2), C. 8/2, Op. 14/2 |
|
3. Kinderlied: Amul is gewen a klaein Yidele,
folksong arrangement for voice & piano (Bearbeitungen No. 3), C. 8/3,
Op. 14/3 |
|
4. Alle Menschen tanzendik, folksong arrangement for
voice & piano (Bearbeitungen No. 4), C. 8/4, Op. 14/4 |
|
5. Mädchenlied: Wi asoi ken listik san?, folksong
arrangement for voice & piano (Bearbeitungen No. 5), C. 8/5, Op.
14/5 |
1923 |
6. Es Kimt Gefloigen di Gilderne Pawe, folksong
arrangement for voice & piano (Bearbeitungen No. 6), C. 8/6, Op. 14/6
|
|
1925 |
Drei Lieder nach Heinrich von Kleist, song cycle
for voice & piano, C. 9, Op. 3 |
|
1. Der Engel am Grabe des Herrn, song for voice &
piano (Lieder nach von Kleist No. 1), C. 9/1, Op. 3/1 |
|
2. Gleich und Ungleich: Eine Legende nach Hans Sachs,
song for voice & piano (3 Lieder nach von Kleist No. 2), C. 9/2, Op. 3/2
|
|
3. Die Beiden Tauben: Eine Fabel nach La Fontaine,
song for voice & piano (3 Lieder nach von Kleist No. 3), C. 9/3, Op. 3/3
|
|
1925 |
Sonata "Stehende Musik," for piano, C. 10, Op. 1
1. Schnell.
3. Andante (later op. 3a) [pub. as Early Piece for Piano C. 70/5]
2. Schnell [inc.] |
|
1925 |
Klopstock Ode: Als er gegen seine Schöne, song for
voice & piano (incomplete), C. 11 |
|
1926 |
Vertonungen aus "Gitanjali" von Rabindranath
Tagore (12), song cycle for voice & piano, C. 12 |
|
1. O du letze Erfüllung des lebens, song for voice &
piano (Vertonungen Gitanjali No. 1), C. 12/1 |
|
2. An dem Tage, da der Tod, song for voice & piano (Vertonungen
Gitanjali No. 2), C. 12/2 |
|
3. Ich weiss, es wird kommen der Tag, song for voice
& piano (Vertonungen Gitanjali No. 3), C. 12/3 |
|
4. Gottheit des zertümmerten Tempels, song for voice
& piano (Vertonungen Gitanjali No. 4 & 3a), C. 12/4 |
|
5. Voll verzweifelter Hoffnung, song for voice &
piano (Vertonungen Gitanjali No. 5 & 4a), C. 12/5 |
|
6. Bist du draussen in stürmischer Nacht, song for
voice & piano (Vertonungen Gitanjali No. 6, 5a), C. 12/6 |
|
7. Ich ging als Bettler von Türe zu Türe, song for
voice & piano (Vertonungen Gitanjali No. 7), C. 12/7 |
|
8. Ich hab mein Urlaub erhalten, song for voice &
piano (Vertonungen Gitanjali No. 8) C. 12/8 |
|
9. In dieser Zeit meinen Abschieds, song for voice &
piano (Vertonungen Gitanjali No. 9; fragment), C. 12/9 |
|
10. Ich wusste den Augenblick nicht, song for voice &
piano (Vertonungen Gitanjali No. 10; fragment), C. 12/10 |
|
11. Wenn ich von hier geh, song for voice & piano (Vertonungen
Gitanjali No. 11; fragment), C. 12/11 |
|
12. Ich schmücke Dich mit Trophäen, song for voice &
piano (Vertonungen Gitanjali No. 12; fragment), C. 12/12 |
|
1926 |
Fünf Vertonungen aus "Gitanjali" von Rabindranath
Tagore (5), song cycle for voice & piano, C. 12a |
|
1926 |
Zwei Tänze für Klavier (2), for piano, C. 13
|
|
1926 |
Zwei Fabeln (2), for bariton & piano, C. 14
|
|
1. Der faule Bauer mit seinem Hunden, song for voice
& piano (Zwei Fabeln No. 1), C. 14/1 |
|
2. Ein Tier im Monde, song for voice & piano (Zwei
Fabeln No. 2; incomplete), C. 14/2 |
|
1926 |
Kantate nach Gesängen der Rainer Maria Rilke 1914,
cantata for voice, viola, cello & double bass (fragment), C. 15 |
|
1926 |
Zwei Typen deutscher Lieder (2), for piano, C. 16
|
|
1927 |
Invention, for piano (Sechs Klavierstücke No. 3),
C. 17, 70/3 |
|
1927 |
Fuge á 3, for piano (Sechs Klavierstücke No. 4),
C. 18, 70/4 |
|
1927 |
Tango, for piano, C. 19 |
|
1927 |
Rag-Caprice, for piano, C. 20 |
|
1928 |
Marsch, for piano, 4 hands (fragment), C. 21
|
|
|
1928 |
Zeus und Elida, musical grotesque for soloists,
speaker, chorus & orchestra, C. 22, Op. 5a
Text: Karl Wickerhauser, Otto Hahn. 1928. 3 sax (cl, Bcl), 2 tpt,
trb, sousaphone, 2 cb, tenor banjo, perc, 12 vn, pno (cel). Bar, S, B,
T, SATB.
Ded: "Zum Vergnügen der Ola [Okuniewska]."
1. Charleston
2. Tango.
3. Boston.
4. Jazz-Duett (Foxtrot)
5. Konzert mit Variationen.
6. Blues Solo und Duett mit Chor.
7. Fortsetzung des Konzertes.
8. Czardas.
9. Coda--Potpourri. |
|
|
1928 |
Jawohl es muss die Ehrilickeit, cantata for chorus
(incomplete), C. 23 |
|
|
1929 |
Schöne Geschichten, opera for 2 voices, chorus &
chamber orchestra ("Droll Stories"), C. 24, Op. 5b
(Pretty Stories), für Andeutungsbühne, Schauspieler, Sänger,
Marionetten, Chor und kleines Orchester. Op. 5b.
Text: S. Wolpe, Otto Hahn. 1927-9. Fl, 2 cl (sax), tpt, trb, perc, vn,
pno. 2 male singers, male chorus.
1. Wissenschaft.
2. Religion, oder die Geschichte von der Begegnung mit dem lieben Gott.
Sept 1927.
3. Recht, oder die Geschichte vom Herrn Tannenbaum. Nov 1927.
4. Bildung, oder die Geschichte von der Balzac-Ausgabe. Mar 1928.
5. Liebe, oder die Geschichte vom Papier. July 1929.
6. Philosophie.
7. Patriotismus. |
|
|
1929 |
An Anna Blume von Kurt Schwitters, for voice &
piano, C. 26, Op. 5c Text: Kurt Schwitters. Mar 1929 |
|
1929 |
Drei Lieder nach Gedichten von Erich Kästner (3),
song cycle for voice & piano, C. 28 |
|
1. Fantaisie von Übermorgen,song for voice & piano
(Lieder nach Kästner No. 1, C. 28/1 |
|
2. Brief eines Dienstmädchens Namen Amalie,song for
voice & piano (Lieder nach Kästner No. 2, C. 28/2 |
|
3. Ansprache einer Bardame, song for voice & piano
(Lieder nach Kästner No. 3, C. 28/3 |
|
1929 |
Blues; Stimmen aus dem Massengrab; Marsch, for
speaking chorus, 2 saxophones, trumpet, 2 pianos & percussion, C. 29
Ded: "Für Teddys [Stauffer] and his Band."
1. Blues.
2. Stimmen aus dem Massengrab. Text: Erich Kästner. Ded: "Geschrieben
für 'ANTI'."
3. Marsch. |
|
1929 |
Musik
zu Hamlet: Langsamer Satz, for flute, clarinet & cello, C. 30
Dritter Aufzug, zweiter Auftritt. Renaissance Theater. Langsamer Satz.
1929
Ded: "Für Ola [Okuniewsak] liebe Frau." |
|
|
1929 |
Presto Agitato, for piano (Sechs Klavierstücke No.
6), C. 31, 70/6 |
|
|
1929 |
Tanz (Charleston), for piano, C. 32
Ded: "An Moholy-Nagy." |
|
|
1930 |
Vier Lieder auf Texte von Lenin,
Majakowski und anderen (4),
song cycle for voice & piano, C. 33, Op. 7 |
1929 |
1. Eine unterdrückte Klasse, song for voice & piano (Vier
Lieder auf Lenin No. 1), C. 25, 33/1 |
1929 |
2. An die Armee der Künstler, song for voice & piano
(Vier Lieder auf Lenin No. 2; "Decret Nr. 2"), C. 27, 33/2 |
1929 |
3. Was ist "Aufruhr?," song for spoken voice & piano
(Vier Lieder auf Lenin No. 3), C. 33/3 |
1930 |
4. Auch die kleinste Tatr, song for spoken voice &
piano (Vier Lieder auf Lenin No. 4), C. 33/4 |
|
1929 |
Drei Lieder von Willi (3), song cycle for voice &
piano, C. 34, Op. 8 Text: Willi Bär Wolpe |
|
1. Arme Schwester auf der Straße, song for voice &
piano (Drei Lieder von Willi No. 1), C. 34/1, Op. 8/1 |
|
2. Ich habe meine Katze begraben, song for voice &
piano (Drei Lieder von Willi No. 2), C. 34/2, Op. 8/2 |
|
3. Der Du nichts sehen kannst, song for voice & piano
(Drei Lieder von Willi No. 3), C. 34/3, Op. 8/3 |
|
|
1929 |
Prologue for "Troilus and Cressida," incidental
music for chorus, cornet & trombone (incomplete), C. 35 |
|
1930 |
Drei Arbeitslieder von Thomas Ring (3), song cycle
for voice & piano, C. 36, Op. 9 |
1929 |
1. Bohrerlied, song for voice & piano (Arbeitslieder
von Thomas Ring No. 1), C. 36/1, Op. 9/1 |
1929 |
2. Schifferlied, song for voice & piano (Arbeitslieder
von Thomas Ring No. 2), C. 36/2, Op. 9/2 |
1930 |
3. Bergmannslied, song for voice & piano (Arbeitslieder
von Thomas Ring No. 3), C. 36/3, Op. 9/3 |
|
|
1930 |
Zwei Lieder nach Gedichten von Johannes R. Becher
(2), song cycle for voice & piano, C. 37 |
|
1. Die Partei, song for voice & piano (Lieder nach
Becher No. 1), C. 37/1 |
|
2. Der tausenjährige Lenin,song for voice & piano
(Lieder nach Becher No. 2), C. 37/2 |
|
1930 |
Ballade von Karl Schmidt aus der grauen Stadt, for
unison chorus & piano, C. 38, Op. 11 Text: Johannes R. Becher |
|
1932 |
Acht Lieder auf Texte von Heine,
Ottwalt, Weinert, und anderen (8),
song cycle for voice & piano, C. 39, Op. 12 |
1929 |
1. Erst haben sie, song for voice & piano (Acht
Lieder Heine u.a. No. 1), C. 39/1, Op. 12/1 |
1931 |
2. Das Lied vom Abbau, song for voice & piano (Acht
Lieder Heine u.a. No. 2), C. 39/2, Op. 12/2 |
1930 |
3. Auf dem Weinachtsmarkt, song for voice & piano (Acht
Lieder Heine u.a. No. 3), C. 39/3, Op. 12/3 |
1931 |
4. Die Herrn der Welt, song for voice & piano (Acht
Lieder Heine u.a. No. 4), C. 39/4, Op. 12/4 |
1930 |
5. Wir, die Berliner Metallarbeiter, song for voice &
piano (Acht Lieder Heine u.a. No. 5), C. 39/5, Op. 12/5 |
1932 |
6. Wir sind entlassen, song for voice & piano (Acht
Lieder Heine u.a. No. 6), C. 39/6, Op. 12/6 |
1929 |
7. Die schlesischen Weber, song for voice & piano (Acht
Lieder Heine u.a. No. 7), C. 39/7, Op. 12/7 |
1931 |
8. Alle für alle (Lied des 1. Mai), song for voice &
piano (Acht Lieder Heine u.a. No. 8), C. 39/8, Op. 12/8 |
|
1930 |
Politsche Satyren (4), song cycle for voice &
piano, C. 40 |
1929 |
1. Wahltag, song for voice & piano (Politsche Satyren
No. 1), C. 40/1 |
1931 |
2. Thema mit Variotionen, song for voice & piano (Politsche
Satyren No. 2), C. 40/2 |
1931 |
3. Bonzensalat,song for voice & piano (Politsche
Satyren No. 3), C. 40/3 |
1930 |
4. Hitler, song for voice & piano (Politsche Satyren
No. 4), C. 40/4 |
|
1930 |
Zwei Liedfragmente von Ernst Ottwalt (2), song
cycle for voice & piano, C. 41 |
1930 |
1. Das Lied von schönen Leben, song for voice & piano
(Liedfragmente von Ottwalt No. 1, C. 41/1 |
1930 |
2. Das Lied von der Geduld, song for voice & piano (Liedfragmente
von Ottwalt No. 2; incomplete), C. 41/2 |
|
|
1931 |
Vier Antikriegslieder (4), song cycle for voice,
2-part chorus & piano, C. 42, Op. 16 |
|
1. Antikreigslied, song for voice, 2 part-chorus &
piano (Vier Antikriegslieder No. 1), C. 42/1, Op. 16/1 Text:
Ludwig Renn |
|
2. Kampfruf, song for voice, 2 part-chorus & piano (Vier
Antikriegslieder No. 2), C. 42/2, Op. 16/2 Text: Erich Weinert |
|
3. Rote Armee, song for voice, 2 part-chorus & piano
(Vier Antikriegslieder No. 3), C. 42/3, Op. 16/3 Text: Johannes R.
Becher |
|
4. Rote Soldaten, rote Kolonnen, song for voice, 2
part-chorus & piano (Vier Antikriegslieder No. 4), C. 42/4, Op. 16/4
Text: Siegfried Moos |
|
|
1931 |
Deutschland, Deutschland über Alles, variations
for piano (incomplete), C. 43 |
|
|
1931 |
Kein Dirnenlied, song for voice & piano (incomplete),
C. 44 |
|
1931 |
Die Passion eines Menschen, ballet for voices and
piano ("Revolutionäres Tanzspiel;" incomplete), C. 46 |
|
|
1931 |
Musik für "Die Mausefalle," theater revue for
voices & piano, C. 47, Op. 18a
Text: Gustav von Wangenheim. 1931. Theater revue of Truppe 1931.
voices, pno. 17 numbers complete, 2 incomplete. |
|
1932 |
Sportrevue "Alles an den roten Start" cantata for
voice, 10-part brass & percussion (incomplete), C. 48 |
|
1932 |
Cabaret, Agitprop and Marching Songs (18), song
collection for voice & piano, C. 49 |
1929 |
1. Der Hungerkünstler, song for voice & piano
(Cabaret, Agitprop No. 1), C. 49/1 |
1930 |
2. Bauernlied, song for voice & piano (Cabaret,
Agitprop No. 2), C. 49/2 |
1931 |
3. Es wird die neue Welt geboren, song for voice &
piano (Cabaret, Agitprop No. 3), C. 49/3 |
1931 |
4. Freches Liedchen, song for voice & piano (Cabaret,
Agitprop No. 4), C. 49/4 |
1931 |
5. Haben sie Kummer, song for voice & piano (Cabaret,
Agitprop No. 5), C. 49/5 |
1933 |
6. Auftrtittsmarsch Agitpotruppe "Roter Stern," song
for voice & piano (Cabaret, Agitprop No. 6), C. 49/6 |
1933 |
7. Lied des ATBD, song for voice & piano (Cabaret,
Agitprop No. 7), C. 49/7 |
1931 |
8. Lied des IATB, song for voice & piano (Cabaret,
Agitprop No. 8), C. 49/8 |
1931 |
9. Links den Kurs, song for voice & piano (Cabaret,
Agitprop No. 9), C. 49/9 |
1931 |
10. Ob du an der Maschine stehst, song for voice &
piano (Cabaret, Agitprop No. 10), C. 49/10 |
1931 |
11. Rotes-Spartakiade-Lied, song for voice & piano
(Cabaret, Agitprop No. 11), C. 49/11 |
1931 |
12. Stark isr die Mauer, song for voice & piano
(Cabaret, Agitprop No. 12), C. 49/12 |
1932 |
13. Arbeit und Kapital, song for voice & piano
(Cabaret, Agitprop No. 13), C. 49/13 |
1932 |
14. Stählt die Muskeln, song for voice & piano
(Cabaret, Agitprop No. 14), C. 49/14 |
1933 |
15. Lied der Arbeiter-Musiker, song for voice & piano
(Cabaret, Agitprop No. 15), C. 49/15 |
1933 |
16. Proleten auf zum Durchbruchskampf, song for voice
& piano (Cabaret, Agitprop No. 16; incomplete), C. 49/16 |
1933 |
17. Täglich schuftet früh und spät, song for voice &
piano (Cabaret, Agitprop No. 17; incomplete), C. 49/17 |
1933 |
18. Stempellied, song for voice & piano (Cabaret,
Agitprop No. 18), C. 49/18 |
|
|
1932 |
Musik zu "Da liegt der Hund begraben," theater
revue for voices, trumpet, trombone, sax (or clarinet), piano & drums,
C. 50, Op. 18b Text: Gustav von Wangenheim |
|
1933 |
Musik zu "Wer ist der Dümmste?," theater revue for
voices & piano (incomplete), C. 51, Op. 18c |
|
1933 |
Marsch und Variationen, for piano, 4 hands, C. 52,
Op. 21 Ded: "Geschrieben für Irma Schoenberg." |
|
1933 |
Zwei Studien, for full orchestra, C. 53
1. Ouvertüre. Sept 1933. [inc.]
2. Pastorale in Form einer Passacaglia. Sept-Oct 1933. |
|
1933 |
Zwei Studien, for 2 violins & piano, C. 54
|
|
|
|
|
1934 |
Musik für Molières "Eingebildeten Kranken,"
incidental music for flute, clarinet, violin, viola & double bass, C. 55
[Le Malade imaginaire]. Habimah Theatre, Tel Aviv. July 1934. fl, cl, vn,
va, cb. 5 items. |
|
1934 |
Concerto for Nine Instruments, for 3 winds, 3
brass, violin, cello & piano (incomplete), C. 56, Op. 22
1. Rasch, unverwüstlich, mit grosser Vitalität
2. Adagio
3. Lied ohne Worte. Ziemlich langsam, glänzend und pathetisch
4. Mässig rasch, mit Freude (variationen) |
|
1934 |
Zärtliche Adresse, song of voice & piano (incomplete),
C. 57 |
|
|
1934 |
Cinq marches caracteristiques (5), for piano, C.
58, Op. 10
1. Energico ed animato
2. Andante tranquillamente
3. Con fuoco ed energia
4. Marcia funebre
5. Vivo e sereno |
|
1937 |
Hebrew Solo Songs (6), song collection for voice &
piano, C. 59 |
1934 |
1. I-ka dur olam poreach - Lied vonder blutigen Rüstungsinternationale, song
for voice & piano (Hebrew Solo Songs No. 1), C. 59/1 Hebr text:
anon. |
1935 |
2. We are one driven tortured flock, song for voice &
piano (Hebrew Solo Songs No. 2), C. 59/2 Hebr text: anon. |
1936 |
3. Ani meo di hapach peched, song for voice & piano (Hebrew
Solo Songs No. 3), C. 59/3 Text: Rachel [Blustein]. Im tzav
hagoral (If it be my fate) |
1936 |
4. Ve hinehu shuv lefanai, song for voice & piano (Hebrew
Solo Songs No. 4), C. 59/4 (Behold him and see). Text: Rachel [Blustein]. |
1936 |
5. Tsedaktem habonim, song for voice & piano (Hebrew
Solo Songs No. 5), C. 59/5 |
1937 |
6. Sim Shalom, song for voice & piano (Hebrew Solo
Songs No. 6), C. 59/6 |
|
1938 |
Hebrew Choral Songs (8), for 4-part chorus, C. 60
|
1934 |
1. Olam chadash, for 4-part chorus (Hebrew Choral
Songs No. 1), C. 60/1 Ger. text: Ludwig Renn, Es wird die neue Welt
geboren. Hebr tr: Abraham Shlomsky. |
1934 |
2. Ve aba amar, for unison chorus (Hebrew Choral
Songs No. 2), C. 60/2 Unison chorus for Kibuz Ein Harod. |
1934 |
3. Regel harima, for 4-part chorus (Hebrew Choral
Songs No. 3; incomplete), C. 60/3 |
1936 |
4. Tsedaktem Habonim, for 4-part chorus (Hebrew
Choral Songs No. 4), C. 60/4 (You were right). Hebr text: Saul
Tchernichovsky; Eng tr, Hilda Morley. |
1939 |
5. Tein li chaveir, for 4-part chorus (Hebrew Choral
Songs No. 5), C. 60/5 Ger text: Oscar Maria Graf; Hebr tr, Sinai
Leichter. |
1938 |
6a. Bim komuteinu, for 4-part chorus (Hebrew Choral
Songs No. 6a), C. 60/6a (We have a court of justice). Ger text:
Gerhard Hauptmann, Die Weber; Hebr tr, Nathan Altermann |
1939 |
6b. Men Whose Boast it is, for 4-part chorus (Hebrew
Choral Songs No. 6b), C. 60/6b (Bimkomoteinu). Eng tr, James
Russell Lowell. |
1937 |
7. Kvish, for 4-part chorus (Hebrew Choral Songs No.
7), C. 60/7 Text: anon. |
1938 |
8. Shir hanapach (Esh) (Song of the
Blacksmith), for 4-part chorus (Hebrew
Choral Songs No. 8), C. 60/8 Text: Nathan Altermann |
|
1935 |
Ali b'eir, arrangement for 4-part
chorus, C. 61 [The Well]. Text: Nathan Bialik. 1935.
Bialik's text
adapted by Sara Levi-Tanai (Sarah Osnah Halevy) to a traditional
Yemenite melody. SATB. |
|
|
1936 |
Four Studies on Basic Rows, for piano, C. 62 , Op.
23 |
|
1. Study on Tritones. Jan 1936.
2. Study on Thirds. (Reihenstuck No. 1). Oct 1935.
3. Presto Furioso: Study on a set of expanding and contracting intervals.
Oct-Nov 1935.
4. Passacaglia. Feb-Mar 1936, rev. 1972. (Vier Studien No. 4) Ded:
"To Irma Wolpe." "On an All-Interval Row," C. 62/4, Op. 23/4 |
|
|
1936 |
Passacaglia: Presto Furioso, for 2 pianos
(arrangement of C. 62/3-4), C. 63 |
|
|
1936 |
Kleinere Canons in der Umkehring zweier 12-tönig
(3), for viola & cello, C. 64, Op. 24a
1. Lento ma non troppo
2. Andante amabile
3. Allegro giusto. Epilog, andante |
|
|
1936 |
Suite im Hexachord, for oboe & clarinet. C. 65,
Op. 24b
1. Allegretto grazioso. Oct 31.
2. Pastorale. 10 Nov.
3. Fuga. 4 Dec.
4. Adagio. |
|
|
1936 |
Passacaglia, for orchestra (arrangement of C.
62/4), C. 66, Op. 23 |
|
|
1937 |
Zwei Lieder aus dem Hohenlied (2), song cycle for
voice & piano, C. 67, Op. 24 |
|
1. Smolo tahat roshi, song for voice & piano (Lieder
aus dem Hohenlied No. 1), C. 67/1, Op. 24/1 Text: Song of Songs, Ch. 8,
3. |
|
2. Simeini kahotam, song for voice & piano (Lieder
aus dem Hohenlied No. 2), C. 67/2, Op. 24/2 Text: Song of Songs,
Ch. 8, 6. |
|
1937 |
Ballad of the Unknown Soldier (4), song cycle for
voice & piano, C. 67, Op. 27 Text: Moshé Lifshitz; Hebr
tr, Nathan Altermann. |
|
1. Zot hi habaladah, song for voice & piano (Ballad
of the Unknown Soldier No. 1), C. 67/1, Op. 27/1 |
|
2. Al admateinu, song for voice & piano (Ballad of
the Unknown Soldier No. 2), C. 67/2, Op. 27/2 |
|
3. Sim Shalom, song for voice & piano (Ballad of the
Unknown Soldier No. 3), C. 67/3, Op. 27/3 |
|
4. Hachayalim ts' u lilchom, song for voice & piano (Ballad
of the Unknown Soldier No. 4), C. 67/4, Op. 27/4 |
|
1937 |
Two Chinese Epitaphs, for chorus & percussion, C.
68, Op. 25 / Zwei Chinesischen Grabschiften (2), song cycle for
voice & piano
Ger text: Louise Peter; Eng tr, Elizabeth
Papernow-Shapiro. |
|
1. Zwölf Bauern, song for voice & piano (Chinesischen
Grabschiften No. 1), C. 68/1, Op. 25/1 |
|
2. Von einer Handvoll Reis, song for voice & piano (Chinesischen
Grabschiften No. 2), C. 68/2, Op. 25/2 |
|
1937 |
Sechs Klavierstücke 1920-1929 Op. 7.
for piano, C. 70 Collected and revised, 1936-37. |
1920 |
1. Hymnus, piece for piano (Sechs Klavierstücke No.
1; arranged from C. 1/1), C. 70/1 |
1923 |
2. Variation (see C. 4/3),
C. 70/2 |
1927 |
3. Invention (see C. 17),
C. 70/3 |
1927 |
4. Fuge a 3. (see C.
18), C. 70/4 |
1925 |
5. Early Piece, for piano ("Andante")
(see C.
10/2), C. 70/5, Op.
3a |
1929 |
6. Presto agitato (see C.
31), C. 70/6 |
|
1937 |
Fuga á 3 from Das Musikalische Opfer, transcribed
for string orchestra (after J. S. Bach, BWV 1079), C. 71 |
|
|
1938 |
Drei Lieder (3), song cycle for low voice & piano,
C. 72 |
|
1. Die Reichen sich das Rechts erfreuen, song cycle
for low voice & piano (Drei Lieder No. 1), C. 72/1 Text:
Miculás Daciskey von Heslova. |
|
2. An Dich, song cycle for low voice & piano (Drei
Lieder No. 2), C. 72/2 Text: Walt Whitman. March 1938. Ded: Irma
Wolpe. |
|
3. Orechower Herren, song cycle for low voice & piano
(Drei Lieder No. 3; incomplete), C. 72/3 Text: anon. [inc.] |
|
|
1938 |
Vier Lieder (4), song cycle for low voice & piano,
C. 73, Op. 29 |
|
1. Jassurim anach nu, song for low voice & piano (Vier
Lieder No. 1), C. 73/1, Op. 29/1 Text: Serubavel. |
|
2. Epitaph, song for low voice & piano (Vier Lieder
No. 2), C. 73/2, Op. 29/2 Text: Serubavel. |
|
3. Mul fresko schel ribera, song for low voice &
piano (Vier Lieder No. 3), C. 73/3, Op. 29/3 R'u katsiporim (On a
fresco of Diego Rivera). Text: Noach Stern. |
|
4. Rechot, song for voice & piano (Vier Lieder No.
4), C. 73/4, Op. 29/4 (Lilacs). Text: Noach Stern. |
|
1938 |
Zror hamor dodi li, song for voice & piano, C. 74
Text: Song of Songs. |
|
|
1938 |
La-menatzeach al ha-mecholot. To the Dancemaster, song for voice, clarinet &
piano (2 Songs of Bialik No. 1), C. 75
Text: Chaim Nachman Bialik.
June 1938. Mz, cl, pno. |
|
|
1938 |
Hoi khoshvei , Lines from the Prophet Micah, song for voice &
piano, C. 76 Text: Micah, 2:1-2, 7:3-4. |
|
|
1938 |
Ki hin'ni, song for voice & piano, C. 77
Text: Isaiah, 65:17-22a, 25 |
|
1938 |
Four Hebrew Choral Arrangements, for 4-part
chorus, C. 78 |
|
1. Haseh hato'eh, for 4-part chorus (Four Hebrew
Choral Arrangements No. 1), C. 78/1 [The Lost Goat]. Text: Miriam
Pollack. Melody: Sara Levi- Tanai. |
|
2. Seh ug'di, for 4-part chorus (Four Hebrew Choral
Arrangements No. 2), C. 78/2 [The goat and the kid]. Text and
melody: Mattiatehu Weiner (Shelem). |
|
3. Sisu v'simchu, for 4-part chorus (Four Hebrew
Choral Arrangements No. 3), C. 78/3 [Rejoice and be merry].
Text and melody: Mattiatehu Weiner (Shelem). |
|
4. Na'alzah v'nism'chah, for 4-part chorus (Four
Hebrew Choral Arrangements No. 4), C. 78/4 [Let us be joyous
and merry]. Text and melody: Mattiatehu Weiner (Shelem). |
|
|
1938 |
Sonata, for oboe & piano (incomplete), C. 79
|
|
1938 |
Folk Songs of the New Palestine (5), folksong
arrangements for voice & piano, C. 80 |
|
1. Saleinu al k'tefeinu, for voice & piano (Folk
Songs No. 1), C. 80/1 (Our baskets on our shoulder). Text:
Levin Kipni Melody: Admon. |
|
2. Lamidbar: Tel-Aviv is a Jewish City, song for
voice & piano (Folk Songs No. 2), C. 80/2 Text and
melody: anon. |
|
3. Ra'inu amalenu, for voice & piano (Folk Songs No.
3), C. 80/3 (We behold our toil). Text: Levi Ben-Amitai. Melody:
Shalom Postolsky. |
|
4. Holem tza'adi (II), song for voice & piano (Folk
Songs No. 4), C. 80/4 (My step resounds). Arrangement No. 1. Text:
Jacob Schoenberg. Melody: Mordechai Zaira. |
|
5. Holem tza'adi (III), song for voice & piano (Folk
Songs No. 5), C. 80/5 |
|
|
|
1939 |
Lied, Anrede, Hymnus, Strophe zarteste Bewegung,
for oboe & piano, C. 81a Ded: "Irma zum Geburtstag als
Anregung für Josef [Marx] zum Spielen einfachen Musiken." |
1939 |
Lied, Anrede, Hymnus, Strophe zarteste Bewegung,
for piano, C. 81b |
|
1939 |
Psalm 64 and Isaiah Chapter 35 (2), sacred songs
for voice & piano, C. 82 (Cf. C. 4) |
|
1. Psalm 64, sacred song for voice & piano, C. 82/1
|
|
2. Isaiah Chapter 35, sacred song for voice & piano,
C. 82/2 |
|
|
1939 |
Three Time Wedding (10), suite for piano, C. 83
[Yemenite Songs and Dances.] Palestinian Notebook
1. Jiddische Hochzeit.
2. Jemenite dance no. 1 (Andante con moto).
3. Jemenite dance no. 2. May 1939.
4. Halevi (Jemenite song) (Andante).
5. Horra, music by Sarah Osnath Halevy.
6. Jemenite dance no. 4 (Con moto). May 1939.
7. Arabische Tanzen no. 1.
8. Arabische Tanzen no. 2.
9. Turque
10. Wiegenlied |
|
|
1939 |
Five Declamations, recitations for speaker &
piano, C. 83
The texts are drawn from the Yiddish translation of the Bible by
Yehoash (Solomon Blumgarten),
Tanakh, Vol. II (1926; New York: The Yehoash Publication Society, 1938). |
|
1. Ich gedenk der Günzigkeit, recitation for speaker
& piano (Five Declamations No. 1), C. 83/1 Text:
Jeremiah 2:2-3, 14. |
|
2. A Leib is Aufgegengen, recitation for speaker &
piano (Five Declamations No. 2), C. 83/2 Text: Jeremiah 4:7,
19-21, 23; 8:23; 4:22; 5:26. |
|
3. Wie a steig ful mit Veigeln, recitation for
speaker & piano (Five Declamations No. 3), C. 83/3 Text:
Jeremiah 5:27-28; 22:4; 24:9; 29:17 (first half). |
|
4. Mesiken is dein Bruch, recitation for speaker &
piano (Five Declamations No. 4), C. 83/4 Text: Jeremiah
30:12; 25:16; 30:16-17. |
|
5. Ich wel Dich noch oifbauen, recitation for speaker
& piano (Five Declamations No. 5), C. 83/5 Text: Jeremiah
31:4-5; 23-24, 28. |
|
|
1939 |
Zemach Suite (7), for piano, C. 84 Ded:
"Written for the dancer Benjamin Zemach."
1. Song. June 1939.
2. Piece of embittered music. June 1939.
3.1. Fuge a 3, no. 1. June 1939.
3.2. Fuge a 3, no. 2. June 1939.
4. Jubilation. June 1939.
5. Complaint. July 1939.
6. Dance in Form of a Chaconne. Nov 1939. Ded: Henriette Michelson. |
|
|
1939 |
Israel and His Land, cantata for chorus, clarinet,
violin, viola, cello & piano (incomplete), C. 86 |
|
1939 |
Two Songs of Bialik, song cycle for voice & piano,
C. 87 |
1938 |
1. La-menatzeach al ha-mecholot, song for voice &
piano (Two Songs of Bialik No. 1), C. 87/1 |
1939 |
2. O tife himlin, song for voice & piano (Two Songs
of Bialik No. 2), C. 87/2 |
|
1939 |
Seven Arrangements of Palestinian Folksongs, song
cycle for voice & piano, C. 88 |
|
1. Ben nahar prat, folksong arrangement for voice &
piano (Seven Arrangements No. 1), C. 88/1 |
|
2. Kirya yefayiah, folksong arrangement for voice &
piano (Seven Arrangements No. 2), C. 88/2 |
|
3. Lo nelech mipo, song for voice & piano (Seven
Arrangements No. 3), C. 88/3 |
|
4. Mashiach, folksong arrangement for voice & piano (Seven
Arrangements No. 4), C. 88/4 |
|
5. Yafim halelot, folksong arrangement for voice &
piano (Seven Arrangements No. 5), C. 88/5 |
|
6. Afal pihen, folksong arrangement for voice & piano
(Seven Arrangements No. 6), C. 88/6 |
|
7. Tsiya yetsiyah, folksong arrangement for voice &
piano (Seven Arrangements No. 7), C. 88/7 |
|
1940 |
Moladeti, song for voice & piano, C. 89
|
|
|
1940 |
The Prophets, cantata for chorus & piano (incomplete),
C. 90 |
|
1940 |
Suite for Marthe Krueger for two pianos, in three movements, for
Marthe Krueger, a dancer/choreographer, student of Martha Graham |
|
1941 |
Sonata, for oboe & piano, C. 91, Op. 31
Ded: "Meinem beliebten Freund Josef Marx und seiner Feuer-Hoboe gewidmet."
1. Tanz. Allegro comodo.
2. Molto adagio.
3. Embittered, violent, and quick.
4. Allegro con grazia. 1941 |
|
1941 |
Serenade for Strings, arranged for 2 pianos (after
Tchaikovsky), C. 92 |
|
1941 |
Double Concerto in D minor, arranged for 2 pianos
(after J.S. Bach), C. 93 |
|
1941 |
Two Pieces for Piano Two Hands, C. 94
1. Pastorale. Ded: Jack Maxin.
2. Con fuoco. Ded: Irma Wolpe. |
|
1941 |
Toccata in Three Parts for Piano, C. 95 Ded:
Irma Wolpe.
1. Allegro moderato.
2. Adagio. Too much suffering in the world. |
|
1941 |
Palestine at War, film score for flute, violin,
viola, cello & piano (collaboration with Trude Rittman), C. 96 |
|
1942 |
The Man from Midian, ballet for 2 pianos, C. 97
Scenario: Winthrop almer. Choreography: Eugene Loring, Loring Dance
Players.
Part I : 1 to 8.
Part II : 9 to 18.
- Overture
- Seftdom Lamentation
- Mother Conceives
- Pharaoh's Daughter
- Procession
- Pet Of The Court
- Moses Among the W
- Moses Buries The
- Conversations With
- Moses Meets Aaron
- March Through The
- Restlessness
- Aaron's Desperation
- Joshua's Pleading
- Bacchanal
- Return Of Moses
- Moses Walks Among
- Gathering Of People
|
|
1942 |
The Man from Midian, ballet suite for orchestra,
C. 98 [Nos. 1 to 8] |
|
1942 |
The Good Spirit of a Right Cause, for solo piano
(Encouragements No. 2), C. 99 |
|
1942 |
Simple Music with Definitely Political Intentions,
song cycle for voice & any combination of instruments (incomplete), C.
100 |
|
1. These Wonderful People, song for voice & any
combination of instruments (Simple Music No. 1), C. 100/1 |
|
2. Couplet Against the Beast, song for voice & any
combination of instruments (Simple Music No. 2), C. 100/2 |
|
3. Win This War But Change the World, song for voice
& any combination of instruments (Simple Music No. 3), C. 100/3 |
|
1943 |
Music for WOR, radio score for piano, C. 101
|
|
1943 |
Drei Lieder von Bertholt Brecht (3), song cycle
for voice & piano, C. 102 |
|
1. Ballade von den Osseger Witwen, song for voice &
piano (3 Lieder von Brecht No. 1), C. 102/1 |
|
2. Der Gott sei bei uns, song for voice & piano
(Lieder von Brecht No. 2), C. 102/2 |
|
3. Keiner oder Alle, song for voice & piano (3 Lieder
von Brecht No. 3), C. 102/3 |
|
1943 |
Folk Song Arrangements for Sarah Gorby (5), for
voice & piano, C. 103 |
|
1. Malaguenas, folk song arrangement for voice &
piano (Gorby Arrangements No. 1), C. 103/1 |
|
2. Mélodie hébraïque, folk song arrangement for voice
& piano (Gorby Arrangements No. 2), C. 103/2 |
|
3. Le coeur de ma vie, folk song arrangement for
voice & piano (Gorby Arrangements No. 3), C. 103/3 |
|
4. Unititled Folk Song Arrangement in C minor, for
voice & piano (Gorby Arrangements No. 4), C. 103/4 |
|
5. Unititled Folk Song Arrangement in E minor, folk
song arrangement for voice & piano (Gorby Arrangements No. 5), C. 103/5
|
|
1944 |
Clarinet Quartet, for clarinet, violin, viola &
cello, C. 104 |
|
1944 |
Two Hebrew Choral Songs, for 2-part female chorus,
C. 105 |
|
1. Moshe v'ha-sneh, for 2-part female chorus (Two
Hebrew Choral Songs No. 1), C. 105/1 Text: E. Lisitzski. |
|
2. Piyutim ktanim, for 2-part female chorus (Two
Hebrew Choral Songs No. 2), C. 105/2 Text: I. Gabirol. |
|
1945 |
Yigdal Cantata, for voice, 4-part chorus & organ,
C. 106 |
|
1945 |
Zwei Lieder aus Gedichten von Berthold Viertel,
songs (2) for voice & piano, C. 107 |
|
1. Lebensmüdigkeit, song for voice & piano (Lieder aus
Gedichten von Viertel No. 1), C. 107/1 |
|
2. Salomonischer Spuch, song for voice & piano
(Lieder aus Gedichten von Viertel No. 2), C. 107/2 |
|
1945 |
Trio, for clarinet, violin & cello (incomplete),
C. 108 |
|
1945 |
Garcia Lorca Cantata, for 2 voices, reciter &
chamber orchestra (incomplete), C. 109 |
|
1946 |
Three Songs, for medium voice & piano, C. 110
|
|
1. Unto a New Day, for medium voice & piano (Three
Songs No. 1), C. 110/1 Eng tr, Elizabeth Papernow-Shapiro |
|
2. People's March, for medium voice & piano (Three
Songs No. 2), C. 110/2 Text: E. Papernow-Shapiro. |
|
3. O Captain, My Captain, for medium voice & piano (Three
Songs No. 3), C. 110/3 Text: Walt Whitman. |
|
1944 |
Battle Piece, for piano (Encouragements No. 1), C.
111 Ded: David Tudor. |
|
1947 |
Lazy Andy Ant, children's story for voice / narrator
& piano (2 pianos), C. 112
Text: Helen Jill
Fletcher.
1. Triumph Song.
2. Judge Sentence Song. |
|
1947 |
Suite from Lazy Andy Ant, for 2 pianos, C. 113
|
|
1949 |
Music for Any Instruments (10), interval studies
for 2-3 players or piano, C. 114 |
1944 |
1. Three Canons a 3, for any 3 instruments (Music for
Any Instruments No. 1), C. 114/1 |
1946 |
2. About the Seventh, for any 2 instruments (Music
for Any Instruments No. 2), C. 114/2 |
1946 |
3. Two Studies for Piano Part I (Music for Any
Instruments No. 3, "Displaced Spaces"), C. 114/3 |
1948 |
4. Melische Übungen von Verbindungen, for any 2 or 4
instruments (Music for Any Instruments No. 4), C. 114/4 |
1948 |
5. Spheres of Fourth, for any 3 instruments (Music
for Any Instruments No. 5), C. 114/5 |
1948 |
6. On Thirds, Sixths and Tenths Part I: On Thirds,
for any instruments (Music for Any Instruments No. 6), C. 114/6 |
1948 |
7. On Thirds, Sixths and Tenths Part II: On Sixths,
for any instruments (Music for Any Instruments No. 7), C. 114/7 |
1948 |
8. On Thirds, Sixths and Tenths Part III, for any
instruments (Music for Any Instruments No. 8; incomplete), C. 114/8 |
1948 |
9. Two Pieces for Two Voices: On Thirds, Part I, for
any 2 instruments (Music for Any Instruments No. 9), C. 114/9 |
1948 |
10. Two Pieces for Two Voices: On Thirds, Part II, for
any 2 instruments (Music for Any Instruments No. 10), C. 114/10 |
1949 |
Four Little Pieces About the Tenth, for any 2
instruments (Music for Any Instruments No. 11), C. 114/11 |
|
1948 |
Two Studies for Piano Part II, C. 115
1. Vivid and enraged.
2. Broad, with a feeling of profound intensities. |
|
1949 |
Song of Songs, for voice & piano, C. 116 Text: Song of Songs, 5:10-16;2:5. Ded: Arline
Carmen. |
|
1949 |
Sonata, for violin & piano, C. 117 Ded: Frances
Magnes.
1. Un poco allegro. July 8-23.
2. Andante appassionato. Aug 22.
3. Lento.
4. Allegretto deciso. July 6. |
|
1949 |
Set of Three Movements, for 2 pianos, 6 hands (incomplete),
C. 118 |
|
1950 |
Excerpts from Dr. Einstein's Address about Peace
in the Atomic Era, for voice & piano, C. 119 |
|
1950 |
A Few Piano Pieces for Youngsters (4), for piano
(4th piece incomplete), C. 120 |
|
1950 |
Set of Twelve Pieces for String Quartet (12th
piece incomplete), C. 121 |
|
1950 |
Quartet, for tenor saxophone, trumpet, percussion
& piano, C. 122 Else Schlomann.
1. Lento. (Recomposed 1954.)
2. Con moto. |
|
|
1950 |
Music for a Dancer, for piano, C. 123
Ded: Shirley Broughton.
1. Spirited.
2. Andante.
3. Fast and intense; Love Duet; À la "Tango"; Tango d'Apaches.
4. Vital, joyous. |
|
1951 |
String Quartet (incomplete), C. 124 |
|
1951 |
Seven Pieces for Three Pianos, C. 125 Ded:
Edgard Varèse. |
|
1952 |
Waltz for Merle, for piano, C. 126 |
|
1953 |
Music for "The Good Woman of Setzuan" (19),
incidental music for voices & piano, C. 127 Text: Bertolt Brecht.
Trans. Eric Bentley.
Overture and 18 songs. |
|
1953 |
Six Songs for "The Good Woman of Setzuan," for
voice & piano, C. 128 |
|
1. The Song of the Smoke, for voice & piano (Songs
for "The Good Woman of Setzuan" No. 1), C. 128/1 |
|
2. The Song of the Water-Seller in the Rain, for
voice & piano (Songs for "The Good Woman of Setzuan" No. 2), C. 128/2
|
|
3. The Song of the Defenselessness of the Gods, for
voice & piano (Songs for "The Good Woman of Setzuan" No. 3), C. 128/3
|
|
4. The Song of the Saint Never-Never Day, for voice &
piano (Songs for "The Good Woman of Setzuan" No. 4), C. 128/4 |
|
5. The Song of the Eighth Elephant, for voice & piano
(Songs for "The Good Woman of Setzuan" No. 5), C. 128/5 |
|
6. The Trio of the Vanishing Gods on the Cloud, for
voice & piano (Songs for "The Good Woman of Setzuan" No. 6), C. 128/6
|
|
1953 |
Enactments (5), for 3 pianos, C. 129
1. Chant. Dec 1952.
2. In a state of flight. July 1952.
3. Held in. Jan 1953.
4. Inception. [1951].
5. Fugal motions. Nov 1953. |
|
1954 |
Piece for Oboe, Cello, Percussion & Piano (Oboe
Quartet), C. 130
1. Early morning music. Aug 1954.
2. Calm.
3. Intense and spirited. July 1954.
4. Taut; to oneself. Oct 1954. |
|
1954 |
To Hilda, A Little Song of Confidence (4), suite for piano,
C. 131 |
|
1954 |
David's Lament over Jonathan, sacred setting for
voice & piano, C. 132 Text: II Samuel 1:19-21, 24, 27.
Ded: Hilda Morley. |
|
1954 |
Music for "Peer Gynt" of Henrik Ibsen, incidental
music for voices & piano, C. 133
Ten songs. |
|
1954 |
Music for "Faust Foutu" of Robert Duncan,
incidental music for voice & piano (incomplete), C. 134 |
|
1955 |
Four Pieces for Mixed Chorus, for a capella
chorus, C. 135 |
|
1. Samachti Be-omrim Li, for a capella chorus (Four
Pieces for Mixed Chorus No. 1), C. 135/1 Psalm 122:1-9 |
|
2. Shelu n'alekhem, for a capella chorus (Four Pieces
for Mixed Chorus No. 2), C. 135/2 Text: Gershon Shofman. |
|
3. Al tizkeru rishonot, for a capella chorus (Four
Pieces for Mixed Chorus No. 3), C. 135/3 Isaiah 4:18-22. |
|
4. Ronnu leya' akov simhah, for a capella chorus
(Four Pieces for Mixed Chorus No. 4), C. 135/4 Jeremiah 31:6-12 |
|
1954 |
Symphony, for 24 instruments (incomplete), C. 136
|
|
1955 |
Apollo & Artemis, song for voice & piano, C. 137
Text: Ezra Pound |
|
1956 |
Symphony, for orchestra, C. 138 Com: Rodgers and
Hammerstein, League of Composers- International Society of Contemporary
Music.
1. Not too slow.
2. Charged. July 1955.
3. Alive. Sept 1955. |
|
1957 |
Quintet with Voice, for Baritone voice, horn,
clarinet, cello, piano & harp, C. 139 Com: Rothschild
Foundation for the Arts and Sciences.
1. Of festive grace.
2. Here the sun violet. Text: Hilda Morley.
3. Variations. |
|
1957 |
Music of Introduction and Choruses to "King
Oedipus" of Sophocles (6), for speaking chorus & piano, C. 140
Text adaptation: W.B. Yeats. |
|
1958 |
Scene from The Hour Glass (2), theatrical insert
for voice & piano, C. 141 Text: W.B. Yeats. |
|
1958 |
Dust of Snow, for a cappella chorus, C. 142
Text: Robert Frost. |
|
1958 |
Two Spirituals, for a cappella chorus, C. 143
|
|
1. Go Down Moses, for a cappella chorus (Two
Spirituals No. 1), C. 143/1 |
|
2. Little Wheel A-turnin', for a cappella chorus (Two
Spirituals No. 2), C. 143/2 |
|
1958 |
Lively, for piano, C. 144 (Signed,
"Wolpe Why not".) n.d. pno. Song in popular style. |
|
1959 |
Form, for piano, C. 145 |
|
1959 |
Theater Music for C. W. Post College (4),
incidental music for trumpet, flute, 2 clarinets & piano (incomplete),
C. 146 |
|
1959 |
Music for Medium Voice and Piano (2), C. 147
|
|
1. I left my love upon a hill, song for voice & piano
(Music for Medium Voice and Piano No. 1), C. 147/1 Text: Willis
Barnstone. |
|
2. Music (Vocalise), for voice & piano (Music for
Medium Voice and Piano No. 2), C. 147/2 |
|
1959 |
Three Songs for C W Post College, for chorus,
trumpet, trombone, flute, oboe, 2 clarinets, double bass & percussion,
C. 148 |
|
1. Under Green and Gold Step the Pioneer
Bold (C.W. Post College Song), for unison chorus (Post
College Songs No. 1), C. 148/1 Text: Julian Mates. |
|
2. All-Wielding God, for chorus, trumpet, trombone,
flute, oboe, 2 clarinets, double bass & percussion (Post College Songs
No. 2), C. 148/2 |
|
3. When Evening Falls, for chorus (Post College Songs
No. 3), C. 148/3 SATB. |
|
1959 |
Second Sonata, for violin & piano (incomplete), C.
149 |
|
1960 |
Piece in Two Parts, for flute & piano, C. 150
Ded: Severino Gazzelloni. Com: Adja and Dore Junkers. |
|
1960 |
Music for "The Tempest" (18), incidental music for
2 voices & 15 instruments, C. 151 (Shakespeare). With
Raoul Pleskow |
|
1961 |
Piece in Three Parts for Piano & Sixteen
Instruments, for piano & chamber orchestra, C. 152 Ded:
"To my daughter Katharina Wolpe." Com: Fromm Foundation. |
|
1961 |
Music for "The Exception and the Rule" (9),
incidental music for voices & 5 instruments, C. 153 Text:
Bertolt Brecht. Eng. trans. Eric Bentley. 9 songs. Ded: Eric Bentley. |
|
1961 |
To a Theater New, song for voice & piano, C. 154
Text: Winthrop Palmer. Ded: Winthrop Palmer. |
|
1962 |
Piece in Two Parts for Six Players, for trumpet,
clarinet, violin, cello, piano & harp, C. 155 Com: Tanya
and Shepherd Schreiber. |
|
1962 |
Ouverture to the Noh Play "Hanjo," for piano, C.
156 |
|
1962 |
Street Music: A Counter-Offering, for voice,
narrator, flute, oboe, clarinet, cello & piano, C. 157 To
the Musical Offerings of Ten Composers on my 60th Birthday. |
|
1963 |
Piece for Two Instrumental Units, for flute, cello
& piano; oboe, violin, double bass & percussion, C. 158 |
|
1963 |
Cantata, for Voice, 3 Women's Voices & Instruments
(trumpet, trombone, flute, clarinet, bassoon & strings), C. 159
1. New World. Text: Friedrich Hölderlin.
2. Smells that intoxicate. Text: Herodotus.
3. I know a man. Text: Robert Creeley.
4. I had wanted a quiet testament. Text: Robert Creeley. |
|
1963 |
Singables (2), for voice & piano, C. 160
|
|
1. Singable, for voice & piano (Singables No. 1;
incomplete), C. 160/1 |
|
2. The Angel, song for voice & piano (Singables No.
2), C. 160/2 Text: William Blake. |
|
1964 |
Chamber Piece No. 1, for 14 players (trumpet,
trombone, horn, flute, oboe, english horn, clarinet, bassoon, piano &
strings), C. 161
Ded: To the Memory of Serge and Natalie Koussevitsky. Com: Serge
Koussevitsky Music Foundation. |
|
|
1964 |
Piece in Two Parts for Violin Alone, C. 162
Ded: Max Polikoff. |
|
1964 |
Trio in two Parts for Flute, Cello and Piano, C.
163 |
|
1965 |
Songs from "The Manual of Piety" of Bertholt
Brecht (16), song arrangements for voice & piano, C. 164
The Domestic Breviary (Die Hauspostille). Text and melody: Bertolt
Brecht. Tr. Eric Bentley.
1. Apfelboeck; or the Lily of the field.
2. Hymn of the Red Army Soldier.
3. Orge's Hymn
4. Orge's Answer.
5. Grand hymn of thankgiving.
6. Ballad of the adventurers.
7. Ballad of the pirates.
8. Memory of Marie.
9. Off to Mahogonny.
10. To stay in Mahagonny.
11. God in Mahogonny.
12. Alabama Song.
13. Benares Song.
14. Chorale of the Man Baal.
15. On the seduced girls.
16. Legend of the dead soldier. |
|
1966 |
Second Piece for Violin Alone, C. 165
|
|
1966 |
Piece for Viola Alone, C. 166 |
|
1966 |
Solo Piece for Trumpet, C. 167 |
|
|
1966 |
Chamber Piece No. 2, for 13 players (trumpet,
trombone, horn, flute, oboe, clarinet, bassoon, piano & strings), C. 168
Com: Contemporary Chamber Ensemble. |
|
|
1969 |
From Here on Farther, for clarinet, bass clarinet,
violin & piano, C. 169 |
|
1969 |
String Quartet, C. 170 Ded: "To the
magnificent Juilliard Quartet, a belated dedication." |
|
1969 |
Form IV: Broken Sequences, for piano, C. 171
Ded: Robert Miller. |
|
1971 |
Piece for Trumpet and Seven Instruments, for
trumpet, horn, clarinet, bassoon, violin, viola, cello & double bass, C.
172 Com: Ronald Anderson. |