STEFAN WOLPE
Catalogue des Compositions


Stefan Wolpe Society
 

 
 
1920 Zehn Frühe Lieder, songs (10) for voice & piano, C. 1
1920   1. Hymnus aus "Der brennende Dornbusch," song for voice & piano (Frühe Lieder No. 1), C. 1/1
1920 Zwei Lieder von Mechthild von Magdeburg, songs (2) for voice & piano (Frühe Lieder Nos. 2 & 3), C. 1/2-3
    2. Wie der Liebeswunde gesunde, song for voice & piano (Frühe Lieder No. 2; Mechthild Lieder No. 1), C. 1/2
    3. Lied der Minne, song for voice & piano (Frühe Lieder No. 3, Mechthild Lieder No. 2), C. 1/3
1920   4. Vögelein Schwermut, song for voice & piano (Frühe Lieder No. 4), C. 1/4  Text: Christian Morgenstern. 13 June 1920
1920   5. Der Abend ist mein Buch, song for voice & piano (Frühe Lieder No. 5), C. 1/5  Text: Rainer Maria Rilke. Weimar, 17 June 1920.
      Ded: "Meinem Freunde Morgenstern mit viel Liebe gewidmet."
1920   6. Lied aus "Des Knaben Wunderhorn:" Rothe Äuglein, song for voice & piano (Frühe Lieder No. 6), C. 1/6  Weimar, 21 June 1920
1920   7. Gebetspruch des von der Sternegasse, song for voice & piano (Frühe Lieder No. 7), C. 1/7 16 Aug 1920
1920   8. Schlummerlied, song for voice & piano (Frühe Lieder No. 8), C. 1/8 Text: Catherine Godwin. Summer 1920
1920   9. Kleiner Erfolg, song for voice & piano (Frühe Lieder No. 9), C. 1/9 Text: Stefan Wolpe. Summer 1920
1920 10. Idylle, song for voice & piano (Frühe Lieder No. 10), C. 1/10 Text: Stefan Wolpe. Summer 1920
   
1920 Vier Adagien (5), for piano, C. 2 "Frau [Else] Schlomann gewidmet."
  1. Nicht zu langsam. April 1920. C. 2/1
2. Leichte Achtel.  C. 2/2
3. Langsam, etwas starr. 6 Sept 1920.  C. 2/3a
4. Gesang, weil ich etwas Teures verlassen muss, C. 2/3b. Ded: "Für Friedl [Dicker]."
5; Nicht zu langsam. Dec 1920.  C. 2/4
 
1920 Adagio No. 5: Un poco maestoso, for piano, C. 3  27 Sept 1920. Pno. Ded: "Für den verklärtesten aller Menschen, für Friedl [Dicker]."
   
1923 Drei Klavierstücke (3), for piano, C. 4, Op. 5b  April 1923. Ded: "Erwin Ratz aus Anlass frohen Beisammens gewidmet."
1. 22 April 1923, C. 4/1
2. 13 April 1923, C. 4/2
3. Weimar, Variation, for piano, C. 4/3, 70/2, Op. 5b/3   15 April 1923
1939 Psalm 64 and Isaiah Chapter 35 (2), sacred songs for voice & piano, C. 4, Op. 5b
   
1923 Schattenspiel-Musik, for 3 voices a capella, C. 5, Op. 8
 
1927 Fünf Lieder von Friedrich Hölderlin (5), song cycle for mezzo voice & piano, C. 6, Op. 1 ; revised in 1935 and numbered as Op. 1.
1924 1. Hälfte des Lebens, song for voice & piano (Lieder nach Hölderlin No. 1), C. 6/1
1927 2. An Diotima, for voice & piano (5 Lieder nach Hölderlin No. 2), C. 6/2
1924 3. Diotima, for voice & piano (5 Lieder nach Hölderlin No. 3), C. 6/3
1924 4. Die Spaziergang, for voice & piano (5 Lieder nach Hölderlin No. 4), C. 6/4
1924 5. Zufriedenheit, for voice & piano (5 Lieder nach Hölderlin No. 5), C. 6/5
 
1924 Duo, for 2 violas (incomplete), C. 7, Op. 2  Dec 1924. Ded: "Für Victor Schlichter."
1. Allegro molto.
2. Presto (Besessen).
3. Romanze. [inc.]
   
1925 Bearbeitungen Ostjüdischer Volkslieder (6), cycle of folksong arrangements for voice & piano, C. 8, Op. 14
[Arrangements of 6 Yiddish Folksongs] April 1925. (No. 6 is dated Oct 1923) Ded: "Das gehört Raja Ermollnikoff."
  1. Wiegenlied: Inter dem Kinds Wiegele, folksong arrangement for voice & piano (Bearbeitungen No. 1), C. 8/1, Op. 14/1
  2. Be man Mames Hasele, folksong arrangement for voice & piano (Bearbeitungen No. 2), C. 8/2, Op. 14/2
  3. Kinderlied: Amul is gewen a klaein Yidele, folksong arrangement for voice & piano (Bearbeitungen No. 3), C. 8/3, Op. 14/3
  4. Alle Menschen tanzendik, folksong arrangement for voice & piano (Bearbeitungen No. 4), C. 8/4, Op. 14/4
  5. Mädchenlied: Wi asoi ken listik san?, folksong arrangement for voice & piano (Bearbeitungen No. 5), C. 8/5, Op. 14/5
1923 6. Es Kimt Gefloigen di Gilderne Pawe, folksong arrangement for voice & piano (Bearbeitungen No. 6), C. 8/6, Op. 14/6
 
1925 Drei Lieder nach Heinrich von Kleist, song cycle for voice & piano, C. 9, Op. 3
  1. Der Engel am Grabe des Herrn, song for voice & piano (Lieder nach von Kleist No. 1), C. 9/1, Op. 3/1
  2. Gleich und Ungleich: Eine Legende nach Hans Sachs, song for voice & piano (3 Lieder nach von Kleist No. 2), C. 9/2, Op. 3/2
  3. Die Beiden Tauben: Eine Fabel nach La Fontaine, song for voice & piano (3 Lieder nach von Kleist No. 3), C. 9/3, Op. 3/3
 
1925 Sonata "Stehende Musik," for piano, C. 10, Op. 1
1. Schnell.
3. Andante (later op. 3a) [pub. as Early Piece for Piano C. 70/5]
2. Schnell [inc.]
 
1925 Klopstock Ode: Als er gegen seine Schöne, song for voice & piano (incomplete), C. 11
 
1926 Vertonungen aus "Gitanjali" von Rabindranath Tagore (12), song cycle for voice & piano, C. 12
    1. O du letze Erfüllung des lebens, song for voice & piano (Vertonungen Gitanjali No. 1), C. 12/1
    2. An dem Tage, da der Tod, song for voice & piano (Vertonungen Gitanjali No. 2), C. 12/2
    3. Ich weiss, es wird kommen der Tag, song for voice & piano (Vertonungen Gitanjali No. 3), C. 12/3
    4. Gottheit des zertümmerten Tempels, song for voice & piano (Vertonungen Gitanjali No. 4 & 3a), C. 12/4
    5. Voll verzweifelter Hoffnung, song for voice & piano (Vertonungen Gitanjali No. 5 & 4a), C. 12/5
    6. Bist du draussen in stürmischer Nacht, song for voice & piano (Vertonungen Gitanjali No. 6, 5a), C. 12/6
    7. Ich ging als Bettler von Türe zu Türe, song for voice & piano (Vertonungen Gitanjali No. 7), C. 12/7
    8. Ich hab mein Urlaub erhalten, song for voice & piano (Vertonungen Gitanjali No. 8) C. 12/8
    9. In dieser Zeit meinen Abschieds, song for voice & piano (Vertonungen Gitanjali No. 9; fragment), C. 12/9
  10. Ich wusste den Augenblick nicht, song for voice & piano (Vertonungen Gitanjali No. 10; fragment), C. 12/10
  11. Wenn ich von hier geh, song for voice & piano (Vertonungen Gitanjali No. 11; fragment), C. 12/11
  12. Ich schmücke Dich mit Trophäen, song for voice & piano (Vertonungen Gitanjali No. 12; fragment), C. 12/12
 
1926 Fünf Vertonungen aus "Gitanjali" von Rabindranath Tagore (5), song cycle for voice & piano, C. 12a
 
1926 Zwei Tänze für Klavier (2), for piano, C. 13
 
1926 Zwei Fabeln (2), for bariton & piano, C. 14
  1. Der faule Bauer mit seinem Hunden, song for voice & piano (Zwei Fabeln No. 1), C. 14/1
  2. Ein Tier im Monde, song for voice & piano (Zwei Fabeln No. 2; incomplete), C. 14/2
 
1926 Kantate nach Gesängen der Rainer Maria Rilke 1914, cantata for voice, viola, cello & double bass (fragment), C. 15
 
1926 Zwei Typen deutscher Lieder (2), for piano, C. 16
 
1927 Invention, for piano (Sechs Klavierstücke No. 3), C. 17, 70/3
 
1927 Fuge á 3, for piano (Sechs Klavierstücke No. 4), C. 18, 70/4
 
1927 Tango, for piano, C. 19
 
1927 Rag-Caprice, for piano, C. 20
 
1928 Marsch, for piano, 4 hands (fragment), C. 21
   
1928 Zeus und Elida, musical grotesque for soloists, speaker, chorus & orchestra, C. 22, Op. 5a
Text: Karl Wickerhauser, Otto Hahn. 1928. 3 sax (cl, Bcl), 2 tpt, trb, sousaphone, 2 cb, tenor banjo, perc, 12 vn, pno (cel). Bar, S, B, T, SATB.
Ded: "Zum Vergnügen der Ola [Okuniewska]."
1. Charleston
2. Tango.
3. Boston.
4. Jazz-Duett (Foxtrot)
5. Konzert mit Variationen.
6. Blues Solo und Duett mit Chor.
7. Fortsetzung des Konzertes.
8. Czardas.
9. Coda--Potpourri.
   
1928 Jawohl es muss die Ehrilickeit, cantata for chorus (incomplete), C. 23
   
1929 Schöne Geschichten, opera for 2 voices, chorus & chamber orchestra ("Droll Stories"), C. 24, Op. 5b
(Pretty Stories), für Andeutungsbühne, Schauspieler, Sänger, Marionetten, Chor und kleines Orchester. Op. 5b.
Text: S. Wolpe, Otto Hahn. 1927-9. Fl, 2 cl (sax), tpt, trb, perc, vn, pno. 2 male singers, male chorus.
1. Wissenschaft.
2. Religion, oder die Geschichte von der Begegnung mit dem lieben Gott. Sept 1927.
3. Recht, oder die Geschichte vom Herrn Tannenbaum. Nov 1927.
4. Bildung, oder die Geschichte von der Balzac-Ausgabe. Mar 1928.
5. Liebe, oder die Geschichte vom Papier. July 1929.
6. Philosophie.
7. Patriotismus.
1929 An Anna Blume von Kurt Schwitters, for voice & piano, C. 26, Op. 5c  Text: Kurt Schwitters. Mar 1929
 
1929 Drei Lieder nach Gedichten von Erich Kästner (3), song cycle for voice & piano, C. 28
  1. Fantaisie von Übermorgen,song for voice & piano (Lieder nach Kästner No. 1, C. 28/1
  2. Brief eines Dienstmädchens Namen Amalie,song for voice & piano (Lieder nach Kästner No. 2, C. 28/2
  3. Ansprache einer Bardame, song for voice & piano (Lieder nach Kästner No. 3, C. 28/3
 
1929 Blues; Stimmen aus dem Massengrab; Marsch, for speaking chorus, 2 saxophones, trumpet, 2 pianos & percussion, C. 29 
Ded: "Für Teddys [Stauffer] and his Band."
1. Blues.
2. Stimmen aus dem Massengrab. Text: Erich Kästner. Ded: "Geschrieben für 'ANTI'."
3. Marsch.
 
1929 Musik zu Hamlet: Langsamer Satz, for flute, clarinet & cello, C. 30  Dritter Aufzug, zweiter Auftritt. Renaissance Theater. Langsamer Satz. 1929
Ded: "Für Ola [Okuniewsak] liebe Frau."
   
1929 Presto Agitato, for piano (Sechs Klavierstücke No. 6), C. 31, 70/6
   
1929 Tanz (Charleston), for piano, C. 32  Ded: "An Moholy-Nagy."
   
1930 Vier Lieder auf Texte von Lenin, Majakowski und anderen (4), song cycle for voice & piano, C. 33, Op. 7
1929 1. Eine unterdrückte Klasse, song for voice & piano (Vier Lieder auf Lenin No. 1), C. 25, 33/1
1929 2. An die Armee der Künstler, song for voice & piano (Vier Lieder auf Lenin No. 2; "Decret Nr. 2"), C. 27, 33/2
1929 3. Was ist "Aufruhr?," song for spoken voice & piano (Vier Lieder auf Lenin No. 3), C. 33/3
1930 4. Auch die kleinste Tatr, song for spoken voice & piano (Vier Lieder auf Lenin No. 4), C. 33/4
 
1929 Drei Lieder von Willi (3), song cycle for voice & piano, C. 34, Op. 8  Text: Willi Bär Wolpe
  1. Arme Schwester auf der Straße, song for voice & piano (Drei Lieder von Willi No. 1), C. 34/1, Op. 8/1
  2. Ich habe meine Katze begraben, song for voice & piano (Drei Lieder von Willi No. 2), C. 34/2, Op. 8/2
  3. Der Du nichts sehen kannst, song for voice & piano (Drei Lieder von Willi No. 3), C. 34/3, Op. 8/3
   
1929 Prologue for "Troilus and Cressida," incidental music for chorus, cornet & trombone (incomplete), C. 35
 
1930 Drei Arbeitslieder von Thomas Ring (3), song cycle for voice & piano, C. 36, Op. 9
1929 1. Bohrerlied, song for voice & piano (Arbeitslieder von Thomas Ring No. 1), C. 36/1, Op. 9/1
1929 2. Schifferlied, song for voice & piano (Arbeitslieder von Thomas Ring No. 2), C. 36/2, Op. 9/2
1930 3. Bergmannslied, song for voice & piano (Arbeitslieder von Thomas Ring No. 3), C. 36/3, Op. 9/3
   
1930 Zwei Lieder nach Gedichten von Johannes R. Becher (2), song cycle for voice & piano, C. 37
  1. Die Partei, song for voice & piano (Lieder nach Becher No. 1), C. 37/1
  2. Der tausenjährige Lenin,song for voice & piano (Lieder nach Becher No. 2), C. 37/2
 
1930 Ballade von Karl Schmidt aus der grauen Stadt, for unison chorus & piano, C. 38, Op. 11 Text: Johannes R. Becher
 
1932 Acht Lieder auf Texte von Heine, Ottwalt, Weinert, und anderen (8), song cycle for voice & piano, C. 39, Op. 12
1929 1. Erst haben sie, song for voice & piano (Acht Lieder Heine u.a. No. 1), C. 39/1, Op. 12/1
1931 2. Das Lied vom Abbau, song for voice & piano (Acht Lieder Heine u.a. No. 2), C. 39/2, Op. 12/2
1930 3. Auf dem Weinachtsmarkt, song for voice & piano (Acht Lieder Heine u.a. No. 3), C. 39/3, Op. 12/3
1931 4. Die Herrn der Welt, song for voice & piano (Acht Lieder Heine u.a. No. 4), C. 39/4, Op. 12/4
1930 5. Wir, die Berliner Metallarbeiter, song for voice & piano (Acht Lieder Heine u.a. No. 5), C. 39/5, Op. 12/5
1932 6. Wir sind entlassen, song for voice & piano (Acht Lieder Heine u.a. No. 6), C. 39/6, Op. 12/6
1929 7. Die schlesischen Weber, song for voice & piano (Acht Lieder Heine u.a. No. 7), C. 39/7, Op. 12/7
1931 8. Alle für alle (Lied des 1. Mai), song for voice & piano (Acht Lieder Heine u.a. No. 8), C. 39/8, Op. 12/8
 
1930 Politsche Satyren (4), song cycle for voice & piano, C. 40
1929 1. Wahltag, song for voice & piano (Politsche Satyren No. 1), C. 40/1
1931 2. Thema mit Variotionen, song for voice & piano (Politsche Satyren No. 2), C. 40/2
1931 3. Bonzensalat,song for voice & piano (Politsche Satyren No. 3), C. 40/3
1930 4. Hitler, song for voice & piano (Politsche Satyren No. 4), C. 40/4
 
1930 Zwei Liedfragmente von Ernst Ottwalt (2), song cycle for voice & piano, C. 41
1930 1. Das Lied von schönen Leben, song for voice & piano (Liedfragmente von Ottwalt No. 1, C. 41/1
1930 2. Das Lied von der Geduld, song for voice & piano (Liedfragmente von Ottwalt No. 2; incomplete), C. 41/2
   
1931 Vier Antikriegslieder (4), song cycle for voice, 2-part chorus & piano, C. 42, Op. 16
  1. Antikreigslied, song for voice, 2 part-chorus & piano (Vier Antikriegslieder No. 1), C. 42/1, Op. 16/1  Text: Ludwig Renn
  2. Kampfruf, song for voice, 2 part-chorus & piano (Vier Antikriegslieder No. 2), C. 42/2, Op. 16/2  Text: Erich Weinert
  3. Rote Armee, song for voice, 2 part-chorus & piano (Vier Antikriegslieder No. 3), C. 42/3, Op. 16/3  Text: Johannes R. Becher
  4. Rote Soldaten, rote Kolonnen, song for voice, 2 part-chorus & piano (Vier Antikriegslieder No. 4), C. 42/4, Op. 16/4  Text: Siegfried Moos
   
1931 Deutschland, Deutschland über Alles, variations for piano (incomplete), C. 43
   
1931 Kein Dirnenlied, song for voice & piano (incomplete), C. 44
 
1931 Die Passion eines Menschen, ballet for voices and piano ("Revolutionäres Tanzspiel;" incomplete), C. 46
   
1931 Musik für "Die Mausefalle," theater revue for voices & piano, C. 47, Op. 18a
Text: Gustav von Wangenheim. 1931. Theater revue of Truppe 1931. voices, pno. 17 numbers complete, 2 incomplete.
 
1932 Sportrevue "Alles an den roten Start" cantata for voice, 10-part brass & percussion (incomplete), C. 48
 
1932 Cabaret, Agitprop and Marching Songs (18), song collection for voice & piano, C. 49
1929   1. Der Hungerkünstler, song for voice & piano (Cabaret, Agitprop No. 1), C. 49/1
1930   2. Bauernlied, song for voice & piano (Cabaret, Agitprop No. 2), C. 49/2
1931   3. Es wird die neue Welt geboren, song for voice & piano (Cabaret, Agitprop No. 3), C. 49/3
1931   4. Freches Liedchen, song for voice & piano (Cabaret, Agitprop No. 4), C. 49/4
1931   5. Haben sie Kummer, song for voice & piano (Cabaret, Agitprop No. 5), C. 49/5
1933   6. Auftrtittsmarsch Agitpotruppe "Roter Stern," song for voice & piano (Cabaret, Agitprop No. 6), C. 49/6
1933   7. Lied des ATBD, song for voice & piano (Cabaret, Agitprop No. 7), C. 49/7
1931   8. Lied des IATB, song for voice & piano (Cabaret, Agitprop No. 8), C. 49/8
1931   9. Links den Kurs, song for voice & piano (Cabaret, Agitprop No. 9), C. 49/9
1931 10. Ob du an der Maschine stehst, song for voice & piano (Cabaret, Agitprop No. 10), C. 49/10
1931 11. Rotes-Spartakiade-Lied, song for voice & piano (Cabaret, Agitprop No. 11), C. 49/11
1931 12. Stark isr die Mauer, song for voice & piano (Cabaret, Agitprop No. 12), C. 49/12
1932 13. Arbeit und Kapital, song for voice & piano (Cabaret, Agitprop No. 13), C. 49/13
1932 14. Stählt die Muskeln, song for voice & piano (Cabaret, Agitprop No. 14), C. 49/14
1933 15. Lied der Arbeiter-Musiker, song for voice & piano (Cabaret, Agitprop No. 15), C. 49/15
1933 16. Proleten auf zum Durchbruchskampf, song for voice & piano (Cabaret, Agitprop No. 16; incomplete), C. 49/16
1933 17. Täglich schuftet früh und spät, song for voice & piano (Cabaret, Agitprop No. 17; incomplete), C. 49/17
1933 18. Stempellied, song for voice & piano (Cabaret, Agitprop No. 18), C. 49/18
   
1932 Musik zu "Da liegt der Hund begraben," theater revue for voices, trumpet, trombone, sax (or clarinet), piano & drums, C. 50, Op. 18b Text: Gustav von Wangenheim
 
1933 Musik zu "Wer ist der Dümmste?," theater revue for voices & piano (incomplete), C. 51, Op. 18c
 
1933 Marsch und Variationen, for piano, 4 hands, C. 52, Op. 21  Ded: "Geschrieben für Irma Schoenberg."
 
1933 Zwei Studien, for full orchestra, C. 53
1. Ouvertüre. Sept 1933. [inc.]
2. Pastorale in Form einer Passacaglia. Sept-Oct 1933.
 
1933 Zwei Studien, for 2 violins & piano, C. 54
   
 
1934 Musik für Molières "Eingebildeten Kranken," incidental music for flute, clarinet, violin, viola & double bass, C. 55
[Le Malade imaginaire]. Habimah Theatre, Tel Aviv. July 1934. fl, cl, vn, va, cb. 5 items.
 
1934 Concerto for Nine Instruments, for 3 winds, 3 brass, violin, cello & piano (incomplete), C. 56, Op. 22
1. Rasch, unverwüstlich, mit grosser Vitalität
2. Adagio
3. Lied ohne Worte. Ziemlich langsam, glänzend und pathetisch
4. Mässig rasch, mit Freude (variationen)
 
1934 Zärtliche Adresse, song of voice & piano (incomplete), C. 57
   
1934 Cinq marches caracteristiques (5), for piano, C. 58, Op. 10
1. Energico ed animato
2. Andante tranquillamente
3. Con fuoco ed energia
4. Marcia funebre
5. Vivo e sereno
 
1937 Hebrew Solo Songs (6), song collection for voice & piano, C. 59
1934 1. I-ka dur olam poreach - Lied vonder blutigen Rüstungsinternationale, song for voice & piano (Hebrew Solo Songs No. 1), C. 59/1  Hebr text: anon.
1935 2. We are one driven tortured flock, song for voice & piano (Hebrew Solo Songs No. 2), C. 59/2  Hebr text: anon.
1936 3. Ani meo di hapach peched, song for voice & piano (Hebrew Solo Songs No. 3), C. 59/3  Text: Rachel [Blustein]. Im tzav hagoral (If it be my fate)
1936 4. Ve hinehu shuv lefanai, song for voice & piano (Hebrew Solo Songs No. 4), C. 59/4  (Behold him and see). Text: Rachel [Blustein].
1936 5. Tsedaktem habonim, song for voice & piano (Hebrew Solo Songs No. 5), C. 59/5
1937 6. Sim Shalom, song for voice & piano (Hebrew Solo Songs No. 6), C. 59/6
 
1938 Hebrew Choral Songs (8), for 4-part chorus, C. 60
1934 1. Olam chadash, for 4-part chorus (Hebrew Choral Songs No. 1), C. 60/1 Ger. text: Ludwig Renn, Es wird die neue Welt geboren. Hebr tr: Abraham Shlomsky.
1934 2. Ve aba amar, for unison chorus (Hebrew Choral Songs No. 2), C. 60/2  Unison chorus for Kibuz Ein Harod.
1934 3. Regel harima, for 4-part chorus (Hebrew Choral Songs No. 3; incomplete), C. 60/3
1936 4. Tsedaktem Habonim, for 4-part chorus (Hebrew Choral Songs No. 4), C. 60/4  (You were right). Hebr text: Saul Tchernichovsky; Eng tr, Hilda Morley.
1939 5. Tein li chaveir, for 4-part chorus (Hebrew Choral Songs No. 5), C. 60/5  Ger text: Oscar Maria Graf; Hebr tr, Sinai Leichter.
1938 6a. Bim komuteinu, for 4-part chorus (Hebrew Choral Songs No. 6a), C. 60/6a  (We have a court of justice). Ger text: Gerhard Hauptmann, Die Weber; Hebr tr, Nathan Altermann
1939 6b. Men Whose Boast it is, for 4-part chorus (Hebrew Choral Songs No. 6b), C. 60/6b  (Bimkomoteinu). Eng tr, James Russell Lowell.
1937 7. Kvish, for 4-part chorus (Hebrew Choral Songs No. 7), C. 60/7  Text: anon.
1938 8. Shir hanapach (Esh) (Song of the Blacksmith), for 4-part chorus (Hebrew Choral Songs No. 8), C. 60/8  Text: Nathan Altermann
 
1935 Ali b'eir, arrangement for 4-part chorus, C. 61 [The Well]. Text: Nathan Bialik. 1935.
Bialik's text adapted by Sara Levi-Tanai (Sarah Osnah Halevy) to a traditional Yemenite melody. SATB.
   
1936 Four Studies on Basic Rows, for piano, C. 62 , Op. 23
  1. Study on Tritones. Jan 1936.
2. Study on Thirds. (Reihenstuck No. 1). Oct 1935.
3. Presto Furioso: Study on a set of expanding and contracting intervals. Oct-Nov 1935.
4. Passacaglia. Feb-Mar 1936, rev. 1972.  (Vier Studien No. 4) Ded: "To Irma Wolpe."  "On an All-Interval Row," C. 62/4, Op. 23/4
   
1936 Passacaglia: Presto Furioso, for 2 pianos (arrangement of C. 62/3-4), C. 63
   
1936 Kleinere Canons in der Umkehring zweier 12-tönig (3), for viola & cello, C. 64, Op. 24a
1. Lento ma non troppo
2. Andante amabile
3. Allegro giusto. Epilog, andante
   
1936 Suite im Hexachord, for oboe & clarinet. C. 65, Op. 24b
1. Allegretto grazioso. Oct 31.
2. Pastorale. 10 Nov.
3. Fuga. 4 Dec.
4. Adagio.
   
1936 Passacaglia, for orchestra (arrangement of C. 62/4), C. 66, Op. 23
   
1937 Zwei Lieder aus dem Hohenlied (2), song cycle for voice & piano, C. 67, Op. 24
  1. Smolo tahat roshi, song for voice & piano (Lieder aus dem Hohenlied No. 1), C. 67/1, Op. 24/1 Text: Song of Songs, Ch. 8, 3.
  2. Simeini kahotam, song for voice & piano (Lieder aus dem Hohenlied No. 2), C. 67/2, Op. 24/2  Text: Song of Songs, Ch. 8, 6.
 
1937 Ballad of the Unknown Soldier (4), song cycle for voice & piano, C. 67, Op. 27  Text: Moshé Lifshitz; Hebr tr, Nathan Altermann.
  1. Zot hi habaladah, song for voice & piano (Ballad of the Unknown Soldier No. 1), C. 67/1, Op. 27/1
  2. Al admateinu, song for voice & piano (Ballad of the Unknown Soldier No. 2), C. 67/2, Op. 27/2
  3. Sim Shalom, song for voice & piano (Ballad of the Unknown Soldier No. 3), C. 67/3, Op. 27/3
  4. Hachayalim ts' u lilchom, song for voice & piano (Ballad of the Unknown Soldier No. 4), C. 67/4, Op. 27/4
 
1937 Two Chinese Epitaphs, for chorus & percussion, C. 68, Op. 25 / Zwei Chinesischen Grabschiften (2), song cycle for voice & piano 
Ger text: Louise Peter; Eng tr, Elizabeth Papernow-Shapiro.
  1. Zwölf Bauern, song for voice & piano (Chinesischen Grabschiften No. 1), C. 68/1, Op. 25/1
  2. Von einer Handvoll Reis, song for voice & piano (Chinesischen Grabschiften No. 2), C. 68/2, Op. 25/2
 
1937 Sechs Klavierstücke 1920-1929 Op. 7. for piano, C. 70  Collected and revised, 1936-37. 
1920 1. Hymnus, piece for piano (Sechs Klavierstücke No. 1; arranged from C. 1/1), C. 70/1
1923 2. Variation (see C. 4/3), C. 70/2
1927 3. Invention (see C. 17), C. 70/3
1927 4. Fuge a 3.  (see C. 18), C. 70/4
1925 5. Early Piece, for piano ("Andante")  (see C. 10/2), C. 70/5, Op. 3a
1929 6. Presto agitato (see C. 31), C. 70/6
 
1937 Fuga á 3 from Das Musikalische Opfer, transcribed for string orchestra (after J. S. Bach, BWV 1079), C. 71
   
1938 Drei Lieder (3), song cycle for low voice & piano, C. 72
  1. Die Reichen sich das Rechts erfreuen, song cycle for low voice & piano (Drei Lieder No. 1), C. 72/1  Text: Miculás Daciskey von Heslova.
  2. An Dich, song cycle for low voice & piano (Drei Lieder No. 2), C. 72/2  Text: Walt Whitman. March 1938. Ded: Irma Wolpe.
  3. Orechower Herren, song cycle for low voice & piano (Drei Lieder No. 3; incomplete), C. 72/3  Text: anon. [inc.]
   
1938 Vier Lieder (4), song cycle for low voice & piano, C. 73, Op. 29
  1. Jassurim anach nu, song for low voice & piano (Vier Lieder No. 1), C. 73/1, Op. 29/1  Text: Serubavel.
  2. Epitaph, song for low voice & piano (Vier Lieder No. 2), C. 73/2, Op. 29/2  Text: Serubavel.
  3. Mul fresko schel ribera, song for low voice & piano (Vier Lieder No. 3), C. 73/3, Op. 29/3  R'u katsiporim (On a fresco of Diego Rivera). Text: Noach Stern.
  4. Rechot, song for voice & piano (Vier Lieder No. 4), C. 73/4, Op. 29/4  (Lilacs). Text: Noach Stern.
 
1938 Zror hamor dodi li, song for voice & piano, C. 74  Text: Song of Songs.
   
1938 La-menatzeach al ha-mecholot. To the Dancemaster, song for voice, clarinet & piano (2 Songs of Bialik No. 1), C. 75
Text: Chaim Nachman Bialik. June 1938. Mz, cl, pno.
   
1938 Hoi khoshvei , Lines from the Prophet Micah, song for voice & piano, C. 76  Text: Micah, 2:1-2, 7:3-4.
   
1938 Ki hin'ni, song for voice & piano, C. 77   Text: Isaiah, 65:17-22a, 25
 
1938 Four Hebrew Choral Arrangements, for 4-part chorus, C. 78
  1. Haseh hato'eh, for 4-part chorus (Four Hebrew Choral Arrangements No. 1), C. 78/1  [The Lost Goat]. Text: Miriam Pollack. Melody: Sara Levi- Tanai.
  2. Seh ug'di, for 4-part chorus (Four Hebrew Choral Arrangements No. 2), C. 78/2  [The goat and the kid]. Text and melody: Mattiatehu Weiner (Shelem).
  3. Sisu v'simchu, for 4-part chorus (Four Hebrew Choral Arrangements No. 3), C. 78/3   [Rejoice and be merry]. Text and melody: Mattiatehu Weiner (Shelem).
  4. Na'alzah v'nism'chah, for 4-part chorus (Four Hebrew Choral Arrangements No. 4), C. 78/4   [Let us be joyous and merry]. Text and melody: Mattiatehu Weiner (Shelem).
   
1938 Sonata, for oboe & piano (incomplete), C. 79
 
1938 Folk Songs of the New Palestine (5), folksong arrangements for voice & piano, C. 80
  1. Saleinu al k'tefeinu, for voice & piano (Folk Songs No. 1), C. 80/1   (Our baskets on our shoulder). Text: Levin Kipni Melody: Admon.
  2. Lamidbar: Tel-Aviv is a Jewish City, song for voice & piano (Folk Songs No. 2), C. 80/2   Text and melody: anon.
  3. Ra'inu amalenu, for voice & piano (Folk Songs No. 3), C. 80/3  (We behold our toil). Text: Levi Ben-Amitai. Melody: Shalom Postolsky.
  4. Holem tza'adi (II), song for voice & piano (Folk Songs No. 4), C. 80/4  (My step resounds). Arrangement No. 1. Text: Jacob Schoenberg. Melody: Mordechai Zaira.
  5. Holem tza'adi (III), song for voice & piano (Folk Songs No. 5), C. 80/5
 
 
1939 Lied, Anrede, Hymnus, Strophe zarteste Bewegung, for oboe & piano, C. 81a  Ded: "Irma zum Geburtstag als Anregung für Josef [Marx] zum Spielen einfachen Musiken."
1939 Lied, Anrede, Hymnus, Strophe zarteste Bewegung, for piano, C. 81b
 
1939 Psalm 64 and Isaiah Chapter 35 (2), sacred songs for voice & piano, C. 82 (Cf. C. 4)
  1. Psalm 64, sacred song for voice & piano, C. 82/1
  2. Isaiah Chapter 35, sacred song for voice & piano, C. 82/2
   
1939 Three Time Wedding (10), suite for piano, C. 83 [Yemenite Songs and Dances.] Palestinian Notebook
  1. Jiddische Hochzeit.
  2. Jemenite dance no. 1 (Andante con moto).
  3. Jemenite dance no. 2. May 1939.
  4. Halevi (Jemenite song) (Andante).
  5. Horra, music by Sarah Osnath Halevy.
  6. Jemenite dance no. 4 (Con moto). May 1939.
  7. Arabische Tanzen no. 1.
  8. Arabische Tanzen no. 2.
  9. Turque
10. Wiegenlied
   
1939 Five Declamations, recitations for speaker & piano, C. 83
The texts are drawn from the Yiddish translation of the Bible by Yehoash (Solomon Blumgarten), 
Tanakh, Vol. II (1926; New York: The Yehoash Publication Society, 1938).
  1. Ich gedenk der Günzigkeit, recitation for speaker & piano (Five Declamations No. 1), C. 83/1   Text: Jeremiah 2:2-3, 14.
  2. A Leib is Aufgegengen, recitation for speaker & piano (Five Declamations No. 2), C. 83/2   Text: Jeremiah 4:7, 19-21, 23; 8:23; 4:22; 5:26.
  3. Wie a steig ful mit Veigeln, recitation for speaker & piano (Five Declamations No. 3), C. 83/3   Text: Jeremiah 5:27-28; 22:4; 24:9; 29:17 (first half).
  4. Mesiken is dein Bruch, recitation for speaker & piano (Five Declamations No. 4), C. 83/4   Text: Jeremiah 30:12; 25:16; 30:16-17.
  5. Ich wel Dich noch oifbauen, recitation for speaker & piano (Five Declamations No. 5), C. 83/5  Text: Jeremiah 31:4-5; 23-24, 28.
   
1939 Zemach Suite (7), for piano, C. 84 Ded: "Written for the dancer Benjamin Zemach."
1. Song. June 1939.
2. Piece of embittered music. June 1939.
3.1. Fuge a 3, no. 1. June 1939.
3.2. Fuge a 3, no. 2. June 1939.
4. Jubilation. June 1939.
5. Complaint. July 1939.
6. Dance in Form of a Chaconne. Nov 1939. Ded: Henriette Michelson.
   
1939 Israel and His Land, cantata for chorus, clarinet, violin, viola, cello & piano (incomplete), C. 86
 
1939 Two Songs of Bialik, song cycle for voice & piano, C. 87
1938 1. La-menatzeach al ha-mecholot, song for voice & piano (Two Songs of Bialik No. 1), C. 87/1
1939 2. O tife himlin, song for voice & piano (Two Songs of Bialik No. 2), C. 87/2
 
1939 Seven Arrangements of Palestinian Folksongs, song cycle for voice & piano, C. 88
  1. Ben nahar prat, folksong arrangement for voice & piano (Seven Arrangements No. 1), C. 88/1
  2. Kirya yefayiah, folksong arrangement for voice & piano (Seven Arrangements No. 2), C. 88/2
  3. Lo nelech mipo, song for voice & piano (Seven Arrangements No. 3), C. 88/3
  4. Mashiach, folksong arrangement for voice & piano (Seven Arrangements No. 4), C. 88/4
  5. Yafim halelot, folksong arrangement for voice & piano (Seven Arrangements No. 5), C. 88/5
  6. Afal pihen, folksong arrangement for voice & piano (Seven Arrangements No. 6), C. 88/6
  7. Tsiya yetsiyah, folksong arrangement for voice & piano (Seven Arrangements No. 7), C. 88/7
 
1940 Moladeti, song for voice & piano, C. 89
   
1940 The Prophets, cantata for chorus & piano (incomplete), C. 90
 
1940 Suite for Marthe Krueger for two pianos, in three movements, for Marthe Krueger, a dancer/choreographer, student of Martha Graham
 
1941 Sonata, for oboe & piano, C. 91, Op. 31 Ded: "Meinem beliebten Freund Josef Marx und seiner Feuer-Hoboe gewidmet."
1. Tanz. Allegro comodo.
2. Molto adagio.
3. Embittered, violent, and quick.
4. Allegro con grazia. 1941
 
1941 Serenade for Strings, arranged for 2 pianos (after Tchaikovsky), C. 92
 
1941 Double Concerto in D minor, arranged for 2 pianos (after J.S. Bach), C. 93
 
1941 Two Pieces for Piano Two Hands, C. 94
1. Pastorale. Ded: Jack Maxin.
2. Con fuoco. Ded: Irma Wolpe.
 
1941 Toccata in Three Parts for Piano, C. 95 Ded: Irma Wolpe.
1. Allegro moderato.
2. Adagio. Too much suffering in the world.
 
1941 Palestine at War, film score for flute, violin, viola, cello & piano (collaboration with Trude Rittman), C. 96
 
1942 The Man from Midian, ballet for 2 pianos, C. 97
Scenario: Winthrop almer. Choreography: Eugene Loring, Loring Dance Players.

Part  I : 1 to 8.
Part II : 9 to 18.
  1. Overture
  2. Seftdom Lamentation
  3. Mother Conceives
  4. Pharaoh's Daughter
  5. Procession
  6. Pet Of The Court
  7. Moses Among the W
  8. Moses Buries The
  9. Conversations With
  10. Moses Meets Aaron
  11. March Through The
  12. Restlessness
  13. Aaron's Desperation
  14. Joshua's Pleading
  15. Bacchanal
  16. Return Of Moses
  17. Moses Walks Among
  18. Gathering Of People
 
1942 The Man from Midian, ballet suite for orchestra, C. 98  [Nos. 1 to 8]
 
1942 The Good Spirit of a Right Cause, for solo piano (Encouragements No. 2), C. 99
 
1942 Simple Music with Definitely Political Intentions, song cycle for voice & any combination of instruments (incomplete), C. 100
  1. These Wonderful People, song for voice & any combination of instruments (Simple Music No. 1), C. 100/1
  2. Couplet Against the Beast, song for voice & any combination of instruments (Simple Music No. 2), C. 100/2
  3. Win This War But Change the World, song for voice & any combination of instruments (Simple Music No. 3), C. 100/3
 
1943 Music for WOR, radio score for piano, C. 101
 
1943 Drei Lieder von Bertholt Brecht (3), song cycle for voice & piano, C. 102
  1. Ballade von den Osseger Witwen, song for voice & piano (3 Lieder von Brecht No. 1), C. 102/1
  2. Der Gott sei bei uns, song for voice & piano (Lieder von Brecht No. 2), C. 102/2
  3. Keiner oder Alle, song for voice & piano (3 Lieder von Brecht No. 3), C. 102/3
 
1943 Folk Song Arrangements for Sarah Gorby (5), for voice & piano, C. 103
  1. Malaguenas, folk song arrangement for voice & piano (Gorby Arrangements No. 1), C. 103/1
  2. Mélodie hébraïque, folk song arrangement for voice & piano (Gorby Arrangements No. 2), C. 103/2
  3. Le coeur de ma vie, folk song arrangement for voice & piano (Gorby Arrangements No. 3), C. 103/3
  4. Unititled Folk Song Arrangement in C minor, for voice & piano (Gorby Arrangements No. 4), C. 103/4
  5. Unititled Folk Song Arrangement in E minor, folk song arrangement for voice & piano (Gorby Arrangements No. 5), C. 103/5
 
1944 Clarinet Quartet, for clarinet, violin, viola & cello, C. 104
 
1944 Two Hebrew Choral Songs, for 2-part female chorus, C. 105
  1. Moshe v'ha-sneh, for 2-part female chorus (Two Hebrew Choral Songs No. 1), C. 105/1  Text: E. Lisitzski.
  2. Piyutim ktanim, for 2-part female chorus (Two Hebrew Choral Songs No. 2), C. 105/2  Text: I. Gabirol.
 
1945 Yigdal Cantata, for voice, 4-part chorus & organ, C. 106
 
1945 Zwei Lieder aus Gedichten von Berthold Viertel, songs (2) for voice & piano, C. 107
  1. Lebensmüdigkeit, song for voice & piano (Lieder aus Gedichten von Viertel No. 1), C. 107/1
  2. Salomonischer Spuch, song for voice & piano (Lieder aus Gedichten von Viertel No. 2), C. 107/2
 
1945 Trio, for clarinet, violin & cello (incomplete), C. 108
 
1945 Garcia Lorca Cantata, for 2 voices, reciter & chamber orchestra (incomplete), C. 109
 
1946 Three Songs, for medium voice & piano, C. 110
  1. Unto a New Day, for medium voice & piano (Three Songs No. 1), C. 110/1  Eng tr, Elizabeth Papernow-Shapiro
  2. People's March, for medium voice & piano (Three Songs No. 2), C. 110/2  Text: E. Papernow-Shapiro.
  3. O Captain, My Captain, for medium voice & piano (Three Songs No. 3), C. 110/3  Text: Walt Whitman.
 
1944 Battle Piece, for piano (Encouragements No. 1), C. 111  Ded: David Tudor.
 
1947 Lazy Andy Ant, children's story for voice / narrator & piano (2 pianos), C. 112 Text: Helen Jill Fletcher.
1. Triumph Song.
2. Judge Sentence Song.
 
1947 Suite from Lazy Andy Ant, for 2 pianos, C. 113
 
1949 Music for Any Instruments (10), interval studies for 2-3 players or piano, C. 114
1944   1. Three Canons a 3, for any 3 instruments (Music for Any Instruments No. 1), C. 114/1
1946   2. About the Seventh, for any 2 instruments (Music for Any Instruments No. 2), C. 114/2
1946   3. Two Studies for Piano Part I (Music for Any Instruments No. 3, "Displaced Spaces"), C. 114/3
1948   4. Melische Übungen von Verbindungen, for any 2 or 4 instruments (Music for Any Instruments No. 4), C. 114/4
1948   5. Spheres of Fourth, for any 3 instruments (Music for Any Instruments No. 5), C. 114/5
1948   6. On Thirds, Sixths and Tenths Part I: On Thirds, for any instruments (Music for Any Instruments No. 6), C. 114/6
1948   7. On Thirds, Sixths and Tenths Part II: On Sixths, for any instruments (Music for Any Instruments No. 7), C. 114/7
1948   8. On Thirds, Sixths and Tenths Part III, for any instruments (Music for Any Instruments No. 8; incomplete), C. 114/8
1948   9. Two Pieces for Two Voices: On Thirds, Part I, for any 2 instruments (Music for Any Instruments No. 9), C. 114/9
1948 10. Two Pieces for Two Voices: On Thirds, Part II, for any 2 instruments (Music for Any Instruments No. 10), C. 114/10
1949 Four Little Pieces About the Tenth, for any 2 instruments (Music for Any Instruments No. 11), C. 114/11
 
1948 Two Studies for Piano Part II, C. 115
1. Vivid and enraged.
2. Broad, with a feeling of profound intensities.
 
1949 Song of Songs, for voice & piano, C. 116 Text: Song of Songs, 5:10-16;2:5. Ded: Arline Carmen.
 
1949 Sonata, for violin & piano, C. 117 Ded: Frances Magnes.
1. Un poco allegro. July 8-23.
2. Andante appassionato. Aug 22.
3. Lento.
4. Allegretto deciso. July 6.
 
1949 Set of Three Movements, for 2 pianos, 6 hands (incomplete), C. 118
 
1950 Excerpts from Dr. Einstein's Address about Peace in the Atomic Era, for voice & piano, C. 119
 
1950 A Few Piano Pieces for Youngsters (4), for piano (4th piece incomplete), C. 120
 
1950 Set of Twelve Pieces for String Quartet (12th piece incomplete), C. 121
 
1950 Quartet, for tenor saxophone, trumpet, percussion & piano, C. 122 Else Schlomann.
1. Lento. (Recomposed 1954.)
2. Con moto.
   
1950 Music for a Dancer, for piano, C. 123 Ded: Shirley Broughton.
1. Spirited.
2. Andante.
3. Fast and intense; Love Duet; À la "Tango"; Tango d'Apaches.
4. Vital, joyous.
 
1951 String Quartet (incomplete), C. 124
 
1951 Seven Pieces for Three Pianos, C. 125 Ded: Edgard Varèse.
 
1952 Waltz for Merle, for piano, C. 126
 
1953 Music for "The Good Woman of Setzuan" (19), incidental music for voices & piano, C. 127 Text: Bertolt Brecht. Trans. Eric Bentley.
Overture and 18 songs.
 
1953 Six Songs for "The Good Woman of Setzuan," for voice & piano, C. 128
  1. The Song of the Smoke, for voice & piano (Songs for "The Good Woman of Setzuan" No. 1), C. 128/1
  2. The Song of the Water-Seller in the Rain, for voice & piano (Songs for "The Good Woman of Setzuan" No. 2), C. 128/2
  3. The Song of the Defenselessness of the Gods, for voice & piano (Songs for "The Good Woman of Setzuan" No. 3), C. 128/3
  4. The Song of the Saint Never-Never Day, for voice & piano (Songs for "The Good Woman of Setzuan" No. 4), C. 128/4
  5. The Song of the Eighth Elephant, for voice & piano (Songs for "The Good Woman of Setzuan" No. 5), C. 128/5
  6. The Trio of the Vanishing Gods on the Cloud, for voice & piano (Songs for "The Good Woman of Setzuan" No. 6), C. 128/6
 
1953 Enactments (5), for 3 pianos, C. 129
1. Chant. Dec 1952.
2. In a state of flight. July 1952.
3. Held in. Jan 1953.
4. Inception. [1951].
5. Fugal motions. Nov 1953.
 
1954 Piece for Oboe, Cello, Percussion & Piano (Oboe Quartet), C. 130
1. Early morning music. Aug 1954.
2. Calm.
3. Intense and spirited. July 1954.
4. Taut; to oneself. Oct 1954.
 
1954 To Hilda, A Little Song of Confidence (4), suite for piano, C. 131
 
1954 David's Lament over Jonathan, sacred setting for voice & piano, C. 132  Text: II Samuel 1:19-21, 24, 27. Ded: Hilda Morley.
 
1954 Music for "Peer Gynt" of Henrik Ibsen, incidental music for voices & piano, C. 133
Ten songs.
 
1954 Music for "Faust Foutu" of Robert Duncan, incidental music for voice & piano (incomplete), C. 134
 
1955 Four Pieces for Mixed Chorus, for a capella chorus, C. 135
  1. Samachti Be-omrim Li, for a capella chorus (Four Pieces for Mixed Chorus No. 1), C. 135/1  Psalm 122:1-9
  2. Shelu n'alekhem, for a capella chorus (Four Pieces for Mixed Chorus No. 2), C. 135/2  Text: Gershon Shofman.
  3. Al tizkeru rishonot, for a capella chorus (Four Pieces for Mixed Chorus No. 3), C. 135/3  Isaiah 4:18-22.
  4. Ronnu leya' akov simhah, for a capella chorus (Four Pieces for Mixed Chorus No. 4), C. 135/4  Jeremiah 31:6-12
 
1954 Symphony, for 24 instruments (incomplete), C. 136
 
1955 Apollo & Artemis, song for voice & piano, C. 137  Text: Ezra Pound
 
1956 Symphony, for orchestra, C. 138 Com: Rodgers and Hammerstein, League of Composers- International Society of Contemporary Music.
1. Not too slow.
2. Charged. July 1955.
3. Alive. Sept 1955.
 
1957 Quintet with Voice, for Baritone voice, horn, clarinet, cello, piano & harp, C. 139  Com: Rothschild Foundation for the Arts and Sciences.
1. Of festive grace.
2. Here the sun violet. Text: Hilda Morley.
3. Variations.
 
1957 Music of Introduction and Choruses to "King Oedipus" of Sophocles (6), for speaking chorus & piano, C. 140 Text adaptation: W.B. Yeats.
 
1958 Scene from The Hour Glass (2), theatrical insert for voice & piano, C. 141  Text: W.B. Yeats.
 
1958 Dust of Snow, for a cappella chorus, C. 142  Text: Robert Frost.
 
1958 Two Spirituals, for a cappella chorus, C. 143
  1. Go Down Moses, for a cappella chorus (Two Spirituals No. 1), C. 143/1
  2. Little Wheel A-turnin', for a cappella chorus (Two Spirituals No. 2), C. 143/2
 
1958 Lively, for piano, C. 144  (Signed, "Wolpe Why not".) n.d. pno. Song in popular style.
 
1959 Form, for piano, C. 145
 
1959 Theater Music for C. W. Post College (4), incidental music for trumpet, flute, 2 clarinets & piano (incomplete), C. 146
 
1959 Music for Medium Voice and Piano (2), C. 147
  1. I left my love upon a hill, song for voice & piano (Music for Medium Voice and Piano No. 1), C. 147/1 Text: Willis Barnstone.
  2. Music (Vocalise), for voice & piano (Music for Medium Voice and Piano No. 2), C. 147/2
 
1959 Three Songs for C W Post College, for chorus, trumpet, trombone, flute, oboe, 2 clarinets, double bass & percussion, C. 148
  1. Under Green and Gold Step the Pioneer Bold (C.W. Post College Song), for unison chorus (Post College Songs No. 1), C. 148/1  Text: Julian Mates.
  2. All-Wielding God, for chorus, trumpet, trombone, flute, oboe, 2 clarinets, double bass & percussion (Post College Songs No. 2),  C. 148/2
  3. When Evening Falls, for chorus (Post College Songs No. 3), C. 148/3  SATB.
 
1959 Second Sonata, for violin & piano (incomplete), C. 149
 
1960 Piece in Two Parts, for flute & piano, C. 150  Ded: Severino Gazzelloni. Com: Adja and Dore Junkers.
 
1960 Music for "The Tempest" (18), incidental music for 2 voices & 15 instruments, C. 151  (Shakespeare). With Raoul Pleskow
 
1961 Piece in Three Parts for Piano & Sixteen Instruments, for piano & chamber orchestra, C. 152  Ded: "To my daughter Katharina Wolpe." Com: Fromm Foundation.
 
1961 Music for "The Exception and the Rule" (9), incidental music for voices & 5 instruments, C. 153  Text: Bertolt Brecht. Eng. trans. Eric Bentley. 9 songs.  Ded: Eric Bentley.
 
1961 To a Theater New, song for voice & piano, C. 154  Text: Winthrop Palmer. Ded: Winthrop Palmer.
 
1962 Piece in Two Parts for Six Players, for trumpet, clarinet, violin, cello, piano & harp, C. 155  Com: Tanya and Shepherd Schreiber.
 
1962 Ouverture to the Noh Play "Hanjo," for piano, C. 156
 
1962 Street Music: A Counter-Offering, for voice, narrator, flute, oboe, clarinet, cello & piano, C. 157  To the Musical Offerings of Ten Composers on my 60th Birthday.
 
1963 Piece for Two Instrumental Units, for flute, cello & piano; oboe, violin, double bass & percussion, C. 158
 
1963 Cantata, for Voice, 3 Women's Voices & Instruments (trumpet, trombone, flute, clarinet, bassoon & strings), C. 159
1. New World. Text: Friedrich Hölderlin.
2. Smells that intoxicate. Text: Herodotus.
3. I know a man. Text: Robert Creeley.
4. I had wanted a quiet testament. Text: Robert Creeley.
 
1963 Singables (2), for voice & piano, C. 160
  1. Singable, for voice & piano (Singables No. 1; incomplete), C. 160/1
  2. The Angel, song for voice & piano (Singables No. 2), C. 160/2  Text: William Blake.
 
1964 Chamber Piece No. 1, for 14 players (trumpet, trombone, horn, flute, oboe, english horn, clarinet, bassoon, piano & strings), C. 161
Ded: To the Memory of Serge and Natalie Koussevitsky. Com: Serge Koussevitsky Music Foundation.
   
1964 Piece in Two Parts for Violin Alone, C. 162  Ded: Max Polikoff.
 
1964 Trio in two Parts for Flute, Cello and Piano, C. 163
 
1965 Songs from "The Manual of Piety" of Bertholt Brecht (16), song arrangements for voice & piano, C. 164
The Domestic Breviary (Die Hauspostille). Text and melody: Bertolt Brecht. Tr. Eric Bentley.
 
1. Apfelboeck; or the Lily of the field.
  2. Hymn of the Red Army Soldier.
  3. Orge's Hymn
  4. Orge's Answer.
  5. Grand hymn of thankgiving.
  6. Ballad of the adventurers.
  7. Ballad of the pirates.
  8. Memory of Marie.
  9. Off to Mahogonny.
10. To stay in Mahagonny.
11. God in Mahogonny.
12. Alabama Song.
13. Benares Song.
14. Chorale of the Man Baal.
15. On the seduced girls.
16. Legend of the dead soldier.
 
1966 Second Piece for Violin Alone, C. 165
 
1966 Piece for Viola Alone, C. 166
 
1966 Solo Piece for Trumpet, C. 167
   
1966 Chamber Piece No. 2, for 13 players (trumpet, trombone, horn, flute, oboe, clarinet, bassoon, piano & strings), C. 168  Com: Contemporary Chamber Ensemble.
   
1969 From Here on Farther, for clarinet, bass clarinet, violin & piano, C. 169
 
1969 String Quartet, C. 170  Ded: "To the magnificent Juilliard Quartet, a belated dedication."
 
1969 Form IV: Broken Sequences, for piano, C. 171  Ded: Robert Miller.
 
1971 Piece for Trumpet and Seven Instruments, for trumpet, horn, clarinet, bassoon, violin, viola, cello & double bass, C. 172  Com: Ronald Anderson.